Showing posts with label romance. Show all posts
Showing posts with label romance. Show all posts

Wednesday, October 26, 2016

7 Heart Review: The Life She Wants by Robyn Carr

The Life She Wants
Robyn Carr

Page Count: 368

Release Date: September 27th, 2016
Publisher: Harlequin Mira
Source: Complimentary copy provided by tour publicist in exchange for an honest and unbiased review (thank you, Little Bird Publicity!)
Rating♥♥♥♥♥♥♥♥♥♥
#1 New York Times bestselling author Robyn Carr creates an emotional and uplifting ensemble of characters in this rags-to-riches-to-rags novel about women, friendship and the complex path to happiness

In the aftermath of her financier husband’s suicide, Emma Shay Compton’s dream life is shattered. Richard Compton stole his clients’ life savings to fund a lavish life in New York City and, although she was never involved in the business, Emma bears the burden of her husband’s crimes. She is left with nothing.

Only one friend stands by her, a friend she’s known since high school, who encourages her to come home to Sonoma County. But starting over isn’t easy, and Sonoma is full of unhappy memories, too. And people she’d rather not face, especially Riley Kerrigan.

Riley and Emma were like sisters—until Riley betrayed Emma, ending their friendship. Emma left town, planning to never look back. Now, trying to stand on her own two feet, Emma can’t escape her husband’s reputation and is forced to turn to the last person she thought she’d ever ask for help—her former best friend. It’s an uneasy reunion as both women face the mistakes they’ve made over the years. Only if they find a way to forgive each other—and themselves—can each of them find the life she wants.
Not many authors who started off with romance can write about friendships just as well, but Robyn Carr has always been one of the queens of women's fiction in my book. A few years ago, I read and loved Four Friends so I was excited to give her newest release a try.

The Life She Wants relays the messy, complicated lives of Riley Kerrigan and Emma Shay, two women who were once inseparable, but are now no longer on speaking terms. When Emma moves back to her hometown Sebastopol filled with shame, the two women are forced to confront each other due to several interfering factors: Emma's desperate need for employment following her husband's disgraceful scandal, as well as her intimate involvement with old acquaintances who are also very close to her former best friend.

I love how elaborate details of each of their lives contributed to the main conflict, rather than having the story focus exclusively on the backstory and slow rebuilding of the friendship itself. Riley faces unique challenges, like raising her teenage daughter as a single mother and running her cleaning company, while Emma has some burdens of her own, like coming to terms with her hurtful past and facing financial turmoil, not for the first time in her life. When their lives intersect in a familiar setting, a memory-ripe town in Sonoma, California, old feelings—old grudges, disappointments, miscommunications, and apologies—begin to surface, demonstrating that although home is somewhere you can escape from, it's a place that never escapes you.

The cast of supporting characters is amazing, each person just as fleshed out and complex as any of Robyn Carr's characters are. The twist on the classic fairy tale this book takes is really enjoyable too; from rags to riches to rags is exactly how I'd describe it, and it's an emotionally engaging journey all throughout. While not mind-blowing, this is definitely a Cinderella story, and not the kind you've read before, either.

Pros


Great integration of each character's subplots in the main theme of rekindling friendship // Easy to read; Carr never fails to impress me with her storytelling // A beautiful modern take on Cinderella // Strong, empowering women characters that are still likable and relatable—ironically, these are often hard to find in the romance and women's fiction genres!

Cons


The ending regarding Emma's financial insecurities seems a little too inconvenient // Riley is a bit of a stubborn character; I didn't care for her playing the victim card when she's the one who betrayed Emma to begin with // Predictable in terms of outcome

Love

"I'll get out of your hair as soon as I help you clean up the dishes. I know you're tired," he said.

"If I'm not that tired?" she asked.

He left at 5 a.m.

Verdict


In her newest standalone novel, Robyn Carr considers a relatively unexplored topic in the women's fiction genre: two ex-best friends reconnecting in middle adulthood, and all the complications that accompany it. Featuring a multidimensional conflict, a strong ensemble of lovable characters, and the buildup of traditional small-town romance and heartbreaking family backstories we've all come to expect and love, The Life She Wants offers readers a glimmering portrait of true friendship, the meaning of forgiveness, and the value of self-worth Americanflag

7 hearts: Not perfect, but overall enjoyable; would recommend, but borrow a copy before you buy! (x)

Tuesday, June 7, 2016

8 Heart Review: He Will Be My Ruin by K.A. Tucker

He Will Be My Ruin
K.A. Tucker

Page Count: 340

Release Date: February 2nd, 2016
Publisher: Atria Books (Simon & Schuster)
Source: Complimentary copy provided by tour publicist via publisher in exchange for an honest and unbiased review (thank you, TLC Book Tours and Atria Books!)
Rating: ♥♥♥♥♥♥♥♥♥♥
A woman who almost had it all...

On the surface, Celine Gonzalez had everything a twenty-eight-year-old woman could want: a one-bedroom apartment on Manhattan’s Lower East Side, a job that (mostly) paid the bills, and an acceptance letter to the prestigious Hollingsworth Institute of Art, where she would finally live out her dream of becoming an antiques appraiser for a major auction house. All she had worked so hard to achieve was finally within her reach. So why would she kill herself?

A man who was supposed to be her salvation...

Maggie Sparkes arrives in New York City to pack up what’s left of her best friend’s belongings after a suicide that has left everyone stunned. The police have deemed the evidence conclusive: Celine got into bed, downed a lethal cocktail of pills and vodka, and never woke up. But when Maggie discovers a scandalous photograph in a lock box hidden in Celine’s apartment, she begins asking questions. Questions about the man Celine fell in love with. The man she never told anyone about, not even Maggie. The man Celine believed would change her life.

Until he became her ruin.

On the hunt for evidence that will force the police to reopen the case, Maggie uncovers more than she bargained for about Celine’s private life—and inadvertently puts herself on the radar of a killer. A killer who will stop at nothing to keep his crimes undiscovered.
The car hits an especially deep pothole, rattling my bones. I've been trapped in here for so long. Hours. Days. I have no idea. Long enough to run through every mistake that I made.
How I trusted him, how I fell for his charm, how I believed his lies. How I made it so easy for him, by letting him get close.
How Celine made it so easy for him, by letting him get close.
Before he killed her.
Just like he's going to kill me.

Maggie's life has always been a privileged breeze, being the sole heiress to Sparkes Energy and all. Money has never been a roadblock for her because she's always had it. Her best friend from childhood on the other hand, Celine, led a different life. A life so veiled and desperate that Maggie knew nothing about until discovering her old diaries in the wake of her purported suicide.

Upon hearing the news, Maggie uproots herself from her charity work—a self-professed duty only to combat the immorality of her family's money-grubbing energy empire—and moves into Celine's Manhattan apartment to help pack up her belongings. An antiques fanatic at heart and appraiser by trade, Celine left behind pieces that must amass to a fortune, and it's Maggie's responsibility to take care of it all. It isn't until she discovers tidbits of Celine's private life and the things she did to survive in the nasty slew of the city, that Maggie's suspicions that Celine's death was not a suicide are confirmed. Celine had so much going for her, so much to look forward to, both in her professional and personal life. Immediately, Maggie points her finger in the direction of murder, and sets off to find out everything she can about Celine's secret lover—the man she claims was her ruin.

He Will Be My Ruin spins the tragedy of an unexpected death into a murder mystery that unfolds with a furor. Maggie is determined to go to any length to find out the truth about her best friend, unknowingly stepping straight into the high-risk, greed-fueled minefield that got Celine killed in the first place. K.A. Tucker knows how to tell a suspenseful story; the plot moves quickly with surprising discoveries and dark revelations peppered throughout, as Maggie enters this unfamiliar, dangerous game.

I had no trouble getting through this book, and was definitely satisfied with its unpredictable outcome and frequent red herrings. So many complicated facets of Maggie's and Celine's lives are introduced to the backdrop of the crime, so while reading, there is no knowing of what matters in the case, and what has no relevance at all. A sizzling romantic distraction muddles Maggie's focus and creates a conflict of interest, while the emotional disaster she experiences when finding out about Celine's secret life almost destroys her.

That said, I wasn't particularly affected by most of the layers of the story. The emotional tragedy, I understood, and the unraveling of Celine's murderer, I found chilling, but after I finished the book I felt like not much stuck with me. The characters are rather simple and formulaic (with the exception of the late Celine, who always finds a way to surprise the reader), and Tucker's writing style rather gratuitous with lots of superficial details. Regardless, it's an enjoyable story overall that will have you squirming in the moment as Maggie narrows down the harrowing possibilities in her crime-solving spree.

In the end, she is forced to confront the scariest reality of them all: that the one person she trusted could be the person she should most fear, and that when it comes to murder, money, and sex, nothing is really what it seems to be on the surface.

Pros


Detailed and thorough in narration // Characters are deeply explored // Suspenseful, fast-paced // Lots of factors introduced that make the mystery unpredictable and complicated // Simple and easy to navigate structurally

Cons


Writing style, while effective, is slightly amateurish // I felt like I understood the characters well, but didn't really like any of them

Verdict


He Will Be My Ruin combines a blazing tumble of a romance with an emotionally charged murder mystery. Brimming with shocking discoveries and an ominous "sleeping with the enemy" vibe, K.A. Tucker's newest novel grapples with themes of morals and guilt, despair and desperation, and the fine hazards of money and art. While I didn't find this book to be mind-blowing, I guarantee it will keep you glued to its pages until Maggie's mission is complete... if it even ends well, that is Americanflag

8 hearts: An engaging read that will be worth your while; highly recommended (x)

Friday, January 8, 2016

2 Heart Review: Mastered by Maya Banks

Mastered (The Enforcers #1)
Maya Banks

Page Count: 358

Release Date: December 29th, 2015
Publisher: Berkley (Penguin Random House)
Source: Complimentary copy provided by publicist in exchange for an honest and unbiased review (thank you, Sullivan and Partners!)
Rating: ♥♥♥♥♥♥♥♥♥♥

From the #1 New York Times bestselling author of the Breathless Trilogy comes the first novel in the Enforcers series—a bold new direction in erotic romance that explores the games men and women play, and the price they’re willing to pay for pleasure. 

What he wants, he takes with no remorse or guilt.

She stood out in his club like a gem, unspoiled and untouched. A lamb among wolves, she clearly didn’t belong. Drawn to her innocence he watched as she was surrounded by men who saw what he did—but no one but him could touch her. He summoned her to his private quarters. He sensed her fear. He also recognized the desire in her eyes. And he knew she wouldn’t leave before he possessed her. She had no need to know his secrets. Not until he had her under his complete and utter control.

What he wants, she isn’t sure she can give him.

The moment he told her want he wanted, she couldn’t resist. Instinct told her to run, but her heart said stay and walk the fine line between pleasure and pain. Though she wasn’t sure she could ever completely surrender, the primal part of her wanted to try, even knowing this man could break her in ways she never imagined. Because once he possessed her, he owned her and it would be too late to turn back. She can only pray that he doesn’t destroy her in the end.

Review


DNF @ 27%

I'm going to preface this review by acknowledging how painful it is to write. Maya Banks's KGI series is one of my favorite romantic suspense series ever, so I was over the moon when given the opportunity to give her new trilogy, The Enforcers, a shot.

Unfortunately, I have almost nothing good to say about Mastered, the first installment. I can't bash it completely or discredit her as an author because I know what she's capable of, but Mastered is a cheap, clichéd Fifty Shades knockoff, featuring even more despicable characters and written in as equally ridiculous writing style.

Mastered begins with Evangeline (literally, "angel") stuck in a wonderfully stupid scenario: her best friends/roommates collectively dolling her up for a night at Impulse, the most exclusive and expensive club in all of New York; of course, this is accompanied by some of the worst monologues of vain, gratuitous compliment barf I've ever read:
"You look hot. And I don't say that as your best friend trying to make you feel better about yourself. I say that as another female who is aware that a much hotter female is in her territory and I'd like to scratch her eyes out because I know I don't have a chance in hell of looking as good as she does."
"You don't get it, Vangie. And hell, I think that's half the turn-on for guys. You have no clue how beautiful you are. You're all big eyes, gorgeous hair, a figure to die for and you're good and sweet to your soul. If you had any hint of interest, you'd have men tripping over themselves to get next to you. They'd treat you like the queen you deserve to be treated as, but you honestly have no idea and that just makes them want you even more."
And of course, Evangeline bats these "you're sooooo hot" statements away—the innocent, doe-eyed, clueless saint she is:
[She] shook her head, utterly baffled. "You guys are crazy. I'm a twenty-three-year-old recently ex-virgin who's as gauche as they. I'm barely off the farm and have a southern drawl that makes New Yorkers roll their eyes and want to pat me on the head and say, 'Well, bless your heart.'"
Because we couldn't just have a flawless bombshell main character; we needed a completely un-self-realized idiot bombshell main character.

This huge night at Impulse is solely for the purpose of pissing off her abusive ex-boyfriend, Eddie, whom they know will be at the club that night, to "show him what he missed out on." As if that isn't immature enough, her friends are sending her alone, via taxi, because they only have one VIP pass among the five of them. Already, this is sounding like a bad teen rom-com, because there has to be a punchline to it. But there isn't. A girl alone in a dark sex club to confront her maniacal jackass ex? At least her friends are looking out for her safety. (The sex club part is a spoiler technically, but it won't spoil anything for you because it really is irrelevant).

The owner of Impulse, of course, is the predatory, unstable, neurotic Drake Donovan, who isn't only strong, tall, and handsome, but also rich, powerful, mean, and dominant in every which way, including in the bedroom. Oooh. Drake notices Evangeline standing out in Impulse like a sore thumb (hello? She's completely insecure and alone!) and it's love at first sight. He knows she's different, worth fighting for, etc. Just by looking at her from afar.

My immediate problem with Drake was not his all-encompassing dominant personality, but his utter lack of reason or manners. Yes, he's obviously a Dom who gets whatever he wants because he knows he can, but at the expense of treating others disrespectfully and being a temperamental dickhead. Drake treats any woman who isn't Evangeline like garbage, with very little forethought that goes into his infuriating thoughts and actions. Not sexy, not cute:
"Oh, I know damn well what I'm passing on," he drawled. "And I couldn't be any less interested in a skank who throws herself at me with promises to please me when the very sight of you displeases me very much."
Normally I would have powered on, but when Drake pretty much sexually assaults Evangeline upon their first meeting—yes, first—and it's supposed to be a sexy scene, but is so poorly written that it wouldn't have been sexy anyway, I knew at that moment that I couldn't give this book more than 1 star. It was just too outrageous (unrealistic, weird, strangely and coarsely executed) for me to continue.

I stopped reading completely when Drake, upon their second meeting, offers Evangeline a magical, optimistic solution to her current woes, including a new place to live (for free), complete responsibility over her financial worries, as well as her family's, and her roommates' (since they will be short one person's portion of rent if Evangeline moves in with him, after all), AND spoil her materialistically AND give her the best sex of her life. ...What? Literally, he spits out one paragraph saying all this and I knew I was done.

I wish I could tell you that it gets better, or the characters get some sense knocked into them, or the sex scenes improve, but alas, 100 or so pages in, I was faced with the same frustrating, static story, so I gave up. I don't know how the book ends, other than that there's a cliffhanger ending since the sequel, Dominated, is a direct continuation of Mastered—which I find distressing—so I can't comment on the broader story elements, such as the climax or ending. I have very little motivation to find out however, and when I finally put this book down, I was overcome with a giant wave of relief.

Pros


I thought I was a Maya Banks fan before this—it's really making me rethink my position though // Intriguing (albeit unoriginal) plot that had potential

Cons


Everything else. Every single thing.

Love


Here's a collection of my favorite quotes due to their WTF-ness. I stopped at three because Drake's unreasonably hilarious behavior just goes on and on and on; consider this section a preview. It's NSFW, but mostly because you'll be laughing very hard which will make your boss and coworkers very suspicious. Unfortunately, it's also actually NSFW (warning: poorly executed smut ahead) so you don't want to be caught reading this in public:
"He sat her ass on the edge of his desk and with an impatient gesture, he swept the surface of his work area clean, knocking the contents to the floor. Shit scattered in all directions and her eyes widened, her pupils dilated so that only a thin ring of blue circled the black orbs as she stared warily at him.
Not only does this start off with a stock scene from any B-grade office porno, but that dilation thing just freaks me out. My pupils looked like that the one time I tried LSD, and it wasn't as angelic as the author makes it out to be.
It had taken every ounce of his restraint not to tear his pants down and plunge so deeply into her that she would feel him to her soul.
She would feel him TO HER SOUL. Because his peter's that big. Ha ha. Get it??
He was becoming more pissed by the minute, and he was seething as he stared at her. The idea of those bastards putting their hands on what he'd already claimed, fondling her, disrespecting her, had his teeth on edge, and his temper, already bad enough, was becoming overwhelmingly foul.
To provide some context, this is all in response to finding out that Evangeline works a night job as a bartender. A FREAKIN' BARTENDER. And this is literally the second time they've met, and he's already marked her as "what he'd already claimed." This dude has no chill.

Verdict


A nasty "hero," a moronic heroine, unintentionally comical dialogue, and a ludicrous storyline all litter this first installment of The Enforcers. Full of clichéd scenes, overused phrases, and a completely unoriginal and unappealing plot, Mastered is not Maya Banks's best work. Not only did I find the story intolerable, but also the writing unrefined and unseasoned. I'm sure there are authors out there who could have made even this smutty, absurd plot work, but Banks is not one of them. I cannot recommend Mastered to any audience—even romance and BDSM lovers won't find much to enjoyment in this—and I'm glad I didn't bother finishing it; reading this was ever only bad for my blood pressure Americanflag

2 hearts: A lost cause for me, although it may not be for others; did not finish and did not enjoy (x)

Wednesday, January 6, 2016

7 Heart Review: Rules for 50/50 Chances by Kate McGovern

Rules for 50/50 Chances
Kate McGovern

Page Count: 342

Release Date: November 24th, 2015
Publisher: Farrar, Straus and Giroux Books for Young Readers (MacMillan)
Source: Complimentary copy provided by publicist in exchange for an honest and unbiased review (thank you, Goldberg McDuffie Communications!)
Rating: ♥♥♥♥♥♥♥♥♥♥

If you could find out how it all ends, would you?

Seventeen-year-old Rose Levenson has a decision to make: Does she want to know how she's going to die? Because when Rose turns eighteen, she can take the test that tells her if she carries the genetic mutation for Huntington's disease, the degenerative condition that is slowly killing her mother.

With a fifty-fifty shot at inheriting her family's genetic curse, Rose is skeptical about pursuing anything that presumes she'll live to be a healthy adult—including her dream career in ballet and the possibility of falling in love. But when she meets a boy from a similarly flawed genetic pool and gets an audition for a dance scholarship across the country, Rose begins to question her carefully laid rules.
I'm not sure I'll ever really know if I want to know. It sort of depends on the answer, doesn't it? I mean, obviously, if I don't carry the gene, it would be nice to know that now. But if I do... I don't know. In the interim, every time I drop a pencil, or mess up a turn in rehearsal, or trip over my own feet—which is more or less all the time—I wonder if it's Huntington's. This is ridiculous, I know, because even if I am carrying the mutation, it's super rare for symptoms to show up before your thirties or even later. But still. That's the thing about the uncertainty. It puts the possibility of this disease in everything. 

Rose Levenson lives by four rules:

1. Don't make plans you can't keep.

The Huntington's disease gene she has a 50% chance of having inherited from her progressively ailing mother is set in stone. Her mother will die from it, and Rose can see every day her condition getting worse—as for herself, she either has it, or she doesn't. Regardless, it seems like her fate is already written in the stars; what's the point of planning out a future, if by adulthood, she may not even be healthy enough to enjoy it?

2. Falling in love confuses everything (so don't do it).

Enter Caleb Franklin, a boy who understands what it's like to suffer under the weight of a genetic disorder, a boy from a completely different background, the first boy she's ever felt worthy enough of breaking her second rule.

While Rose and Caleb's budding relationship is nowhere near consuming or romantic—it just fell a little flat for me—I found Caleb to be a fascinating choice of love interest. McGovern intelligently explores race and class differences in a mature way, rather than solely throwing them in as character devices (aka "that one black friend") as I've seen other YA novels do. I totally appreciate how she doesn't gloss over Caleb's African-American background; she incorporates its relevance into his relationship with Rose, while carefully avoiding anything too political or current to make everything COMPLETELY about race. Because that's really not the point; the point is that race isn't something that can be ignored or glossed over, because it does make a different in real life, despite what white privilege will insist. White privilege isn't just about white people having it better than black people, etc., but the inability for non-minorities to recognize that this sort of stratification exists. McGovern handles this so gracefully and naturally, without being preachy; I've never seen it done in YA (that isn't primarily about race) before.

What's so conflicting about my opinions overall is that I found Rules for 50/50 Chances to be stunningly realistic and layered, but just couldn't stand Rose, our protagonist. For me to grow attached to a story relies heavily on a likable—if not relatable—narrator, and unfortunately Rose is my biggest quip about this entire book. I understand that her characterization was fully intentional on McGovern's part, especially since Rose's main flaws are pointed out by many of the secondary characters and eventually self-realized, but sludging through her narrow-minded first-person narrative was a little too irritating for me.

It isn't that she's particularly bratty or stupid or mean, but she's one of those types who wallows in her own pity—in this case, due to her genetic "curse" as she calls it, completely pulling the "you just don't know how I feel!" card at every instance, without leaving much room to understand that other people, in fact, also have issues, even if not the exact same as her own. There's one scene where Caleb, the love interest, calls Rose "exhausting," and that's exactly how I feel about her: tiring, drawn-out, worthy of eye rolls. It takes her a long, long time to figure this out, but when she finally does, I felt like the book finally redeemed itself.

3. Knowledge is power.

The novelty of the book's plot is something to praise, for sure. I wasn't even certain what Huntington's disease was before I read this book, so it was both an educational, and emotionally charged account on how it could affect a teenager's life, even before symptoms show.

The difficulty of living with a 50/50 chance for inheriting a degenerative disease is expertly illustrated from Rose's point of view. It isn't so much the misfortune of the disease itself, but rather a matter of knowing and not-knowing: a lifetime of uncertainty. This is mainly the reason why Rose is convinced that she needs to take the test to find out whether she carries the gene or not as soon as she turns eighteen. It's not HD she's concerned over, because she knows well too much about it already, watching it eat away at her mother every day. Rather, being kept in the dark is what she can't stand.

Rules for 50/50 Chances won't sugar-coat anything. From the frankness of dialogue between family members and friends, and the way Huntington's manifests uglily in her own mother, it gives you an honest, oftentimes abrasive account of Rose's life, which is already hard considering she's a senior in high school. To me, the plot about her ballet career and college decisions fell to the backdrop because the primary issues with Caleb and with her taking the genetic test took center stage. While not always pretty, teenage relationships and degenerative diseases are portrayed with extraordinary authenticity here.

4. Rules are meant to be broken.

As Rose slowly tests herself through the hardships of competing for a ballet scholarship, the acknowledgment of her genetic results, and through the turmoil of working out her first love—and heartbreak—she learns that everyone has their own problems, not exclusively herself. Soon, she finds herself breaking all her previous, pristinely set rules, and in this way, she discovers that everyone's human and that pain is not measurable on a spectrum; no one has it more or less "worse" than anyone else just because of superficial reasons.

It definitely took Rose a long time to come to this conclusion, but when she finally did, I felt triumphant. I honestly didn't enjoy this book to this extent until the last few chapters because it seemed to drag on and on with Rose complaining about this and that, but the ending was definitely worth it.

Amazingly, while the main characters are hard to relate to, the book itself isn't. Rose isn't the most sympathetic or level-headed character, but McGovern approaches this complex dilemma richly and with emotional resonance.

I learned a lot from this book, not only about race and difficult relationships and difficult genes, but also general astute observations from Rose's everyday life, from the lessons she learns during auditioning for her ballet scholarship, to her mom's passion for trains, which she also shares. I feel like this is the kind of book I would have loved to have read in middle school—and I don't say that to lower the audience age or cheapen its poignance; I only mean that it's an incredibly eye-opening and grounded account that has the power to vastly change the way most people think.

Pros


Plot, characters, and relationships are very lifelike and well-written // McGovern's prose flows naturally and swiftly; she is obviously a talented storyteller // I learned a lot about Huntington's disease and trains (look up the California Zephyr if you don't already know what it is) // Overall narrative contains sophistication and self-awareness, despite Rose's lack thereof // Rose's family dynamic is beautiful and diverse; we experience the touching highs and all the dysfunctional lows // Ending ties everything together beautifully, and actually is the saving grace considering how prolonged Rose's petty narrative is, prior

Cons


Rose is not the easiest character to like and relate to (condescending towards her friends, short-sighted, self-pitying) // There isn't anything romantic or clever about Rose and Caleb's relationship; it kind of just happens

Love

"What do I look like without your glasses on?" I ask after a moment.

He squints at me. "You look like an elderly black man. Like my grandfather."

Verdict


Kate McGovern tackles tough topics like genetic diseases, race and class issues, the ugliness of growing up, and the uncertainty—and blessing—of not knowing, with poise, wisdom, and cultural sensitivity in her debut novel. This is the kind of YA book I would like to turn back time and give to my adolescent self: fairly clean, but far from naïve; never happy-go-lucky, but still optimistic. It taught me a lot, and made me reflect a lot, and I think teenagers of all ages and reading levels will feel the same way. Rules of 50/50 Chances challenges perceptions and preconceptions, depicts a genetic disease that is as rarely informed on as it is hideous, and demonstrates that love, whether romantic or familial, is never as tidy or as faultless as it seems—even in a young adult novel. While I did find Rose's character to be a headache as a whole, the uncommon yet well-executed plot will stick with me forever. Mindful, mature, and genuine to its core, 50/50 Chances is a book you should 100% take a chance on Americanflag

7 hearts: Not perfect, but overall enjoyable; would recommend, but borrow a copy before you buy! (x)

Wednesday, August 19, 2015

4 Heart Review: How to Bake a Man by Jessica Barksdale Inclán

How to Bake a Man
Jessica Barksdale Inclán

Page Count: 280

Release Date: October 21st 2014 (paperback edition)
Publisher: Ghostwoods Books
Source: Complimentary advanced reading copy provided by tour publicist via publisher in exchange for an honest and unbiased review (thank you, TLC Book Tours and Ghostwoods Books!)
Rating♥♥♥♥♥♥♥♥♥♥

When 27-year-old Becca Muchmore drops out of grad school, all she has left to fall back on is her baking. Ignoring her mother’s usual barrage of disapproval and disappointment, she decides to start a small business hand-delivering her wares. A friend introduces her to an office of hungry lawyers, who agree to give her a try. Her lizard-booted neighbor Sal is happy to help out when he can, and almost before she knows it, Becca’s Best is up and running.

Before she can settle into a routine, things get complicated. The office ogress could easily be Becca’s sister and has absolutely no patience with cookies or other frivolities. Even worse, her boyfriend is the man of Becca’s dreams—kind, funny, successful, and brain-meltingly gorgeous. As the dark undercurrents threaten to pull her down, Becca swiftly finds herself neck-deep in office politics, clandestine romance, and flour. Saving her business (and finding true love) is going to take everything she’s got, and more.

Packed with charm, sparkling humor, and a genuinely unforgettable cast, this delicious tale of a woman struggling to find her path just might be Jessica Barksdale Inclán’s finest novel to date.

Review


Coming-of-age stories are typical for YA audiences or teenage characters, but when they involve late-twenty-somethings in the backdrop of the bustling Bay Area, they unfold into an entirely different genre. Add a self-doubting underdog—our protagonist, Becca Muchmore—who has the power to cheer anyone up with her incredible baked goods, as well some ridiculously corny mishaps she encounters on her path to finding true love, and you've got How to Bake a Man, Jessica Barksdale Inclán's latest novel.

I'm new to this author, but was drawn to How to Bake a Man because it reads very contemporary—very feathery and cheerful and cutesy. The lightness of mood, however, comes at the expense of substance and depth, which this book thinks it has—slightly worse of an offense than a book that intentionally has no substance at all.

There are so many issues with the plot in terms of believability and (personal) tolerability, even for a romantic comedy-sque novel:

1. Becca Muchmore is a grad school dropout experiencing a crippling crisis after a terrible breakup.
Have we ever encountered anything more cliché?

2. To make ends meet, she starts a baked goods company, since baking has always been her lifelong passion. Immediately and effortlessly, she is picked up by the town's most prestigious law firm and asked to cater for their entire office; her business is a success right away.
Naturally.

3. At work, Becca meets Jennifer, the "ogress" of an antagonist of the story, who is her skinnier, prettier, smarter, wealthier, and more successful doppelgänger. She develops an obsession with Jennifer.
It is very uncomfortable.

4. Becca begins to suspect that Jennifer's equally perfect boyfriend is her soul mate. Her, as in Becca's, absolutely not Jennifer's.
Unrealistic dialogue and some very heavy petting occur.

5. Becca realizes she is terribly, terribly wrong about the soul mate thing... but all's okay because her actual soul mate turns out to be (at the last minute) her best friend. It was him all along! Surprise central!
As if the plot wasn't enough of a mess already.

Being a romance fanatic myself, I don't say this often... but the main love story should have been kept out of this book entirely. It would have made for a much cleaner, sharper novel about the coming-of-age of an unlikely heroine who finds herself, along with her true passions, by first being slammed with the harsh reality that is life. Instead, How to Bake a Man went the typical, overused route where Becca Muchmore faces a few career-related and personal complications (which, judging by the degree of their silliness and lack of depth, would only happen in some chick flick... or in this book) but instead ends up finding the love of her life in an unexpected—but entirely obvious—place.

Becca's obsession with Jennifer, her lookalike, is also really, really weird, and I don't understand how it even fits in with the main plot. There's so much concentration on this strange coincidence of her meeting a woman that could be her twin, that I thought the book was heading in the direction of The Parent Trap; alas, the situation didn't really give me such satisfaction, as it didn't have much purpose. 

What's so ridiculously unappealing to me is how lacking in dimension and originality all the secondary characters are. They are written with such forced humor that they become laughable tropes. The only non-singular character is Becca, whom I'm conflicted about because I at once hate her and like (not love) her. On one hand she's delusional and really slow-witted—neither lovable nor admirable—but on the other, she's genuine and klutzy in an endearing way. Inclán could have strengthened the book immensely just by revising Becca's character (not to mention that of the rest).

The saving grace of the book is how much attention is given to all the desserts Becca bakes. Scattered among the chapters, are anecdotes on how each of her sugary, buttery treats is meaningful to her, along with full recipes. The absurd story made me really angry, but the recipes left me starving.

I now have felt everything, having finally experienced what it means to be hangry.

Pros


Light-hearted tone, like a cheesy rom-com movie // Well paced // Inclán has a warm, attentive writing style that makes Becca, the narrator, seem more personable // Actual recipes from the story included!

Cons


My opinions are Becca are polarized; I find her at times endearing and at others, completely intolerable // Predictable friends-to-lovers romance subplot // Would have been better without the "happily ever after" romance, just as an adult coming-of-age novel // All secondary characters seem like plot devices rather than real people // Voice is easy to read, but tries WAY too hard to be funny... ends up being not even remotely funny

Verdict


If you're in the mood for a cheesy contemporary romance whose premise will give any far-fetched soap opera a run for its money, you'd best give How to Bake a Man a try. Following the quarter-life crisis of a woman with little confidence but lots of baking vision, this friends-to-lovers story has an amusing story line, but is abundant in problems with characterization, voice, and authenticity. I like that Jessica Barksdale Inclán pursued a baking enthusiast's take on chick lit, but found it to be too all over the place to take seriously. I could have appreciated it more if it was satirical, extraordinarily well-written, or "packed with charm, sparkling humor, and a genuinely unforgettable cast" as advertised, but sadly, it was none of the above Americanflag

4 hearts: So-so; reading this book may cause wrinkles (from frowning so much) (x)

Saturday, August 15, 2015

6 Heart Review: Perfect Couple by Jennifer Echols

Perfect Couple (Superlatives #2)
Jennifer Echols

Page Count: 336

Release Date: January 13th, 2015
Publisher: Simon Pulse (Simon & Schuster)
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Simon Pulse and Itching for Books!)
Rating♥♥♥♥♥♥♥♥♥♥

In this second book in the Superlatives trilogy from Endless Summer author Jennifer Echols, Harper and Brody think they’re an unlikely match—but the senior class says they belong together.

As yearbook photographer, Harper is responsible for those candid moments that make high school memorable. But her own life is anything but picture perfect. Her parents’ bitter divorce left her wondering what a loving relationship looks like. And ever since the senior class voted her and star quarterback Brody “Perfect Couple That Never Was,” her friends have been pushing her to ask Brody out.

Brody doesn’t lack female admirers, but Harper can't see herself with him. He’s confused about the match too. Yet they find themselves drawn together—first by curiosity about why the class paired them, then by an undeniable bond.

The trouble is, though they’re attracted to each other, they have a hard time getting along or even communicating well. If they’re the perfect couple, this shouldn’t be so difficult! Soon it becomes clear their class was wrong, and they throw in the towel. But they feel so changed from making the effort, they can’t forget each other. What if this match made in hell is the perfect couple after all?
We'd been in various advanced classes together since middle school, but the way he dressed made him look like he'd taken a wrong turn from the gym. That's how Brody had always been: grinning, a bit of a mess, and a world away from me.

Jennifer Echols's Superlatives series stands out to me because it follows three best friends, Tia, Harper, and Kaye, and their romantic lives—each book designated for each respective girl—in a modern-day high school setting. Contemporary YA romance is probably my favorite genre (ever!) so I quite enjoyed Biggest Flirts, which is Tia's story. Perfect Couple is Harper's story, and while it does contain the same youthful charm as the first book did, I didn't find myself enjoying it as much.

This book wasn't boring or hard to read in the least bit; overall, I got through it quickly and did not regret picking it up. It's just that I wasn't very invested in the main characters, whose realness was one of the primary strengths in Biggest Flirts.

Harper, our first-person narrator, is rather bratty and immature for being the smart one, which irritated me a lot. At first I was thrilled that this second book was told in her perspective since she's the bookworm of the three friends, but I found myself rolling my eyes at her so-called intelligence frequently. It's one thing for a protagonist to be Type A, but completely another for her to overreact at every "injustice" that she is slammed with and to have the most redundant obsessive tendencies-slash-paranoia. She isn't just anxious, but also a generally bad person: flighty, superficial, completely absorbed in what other people think of her and her social status, instantly in love with Brody even though she has a boyfriend.

I think I feel this harshly because she isn't just unlikable, but she's also weakly characterized. Echols doesn't give her enough of a personality or relatable voice, as she did with Tia. Harper's dialogue comes off as rather stilted and her point of view is very info dumpy.

The second-most annoying part of the book: the insta-love. There are SO many things I can contribute to this topic (considering ~80% of the romance novels I've read involve an undeveloped romance plot line) but I'll refrain from using this review as a ranting space. But literally, Harper has always known Brody as the hot unachievable athlete, but suddenly decides she's worthy of him because of the yearbook superlatives—because other people think so. Not because she discovers she likes him, or because she discovers he likes her, but because other people told her so. Being voted for Perfect Couple that Never Was (is that REALLY a thing, people? Really?? Anyone have that in their own yearbook?!) does not mean they're together... but Harper thinks it means they're immediately in a relationship. Unfortunately, Brody doesn't see it that way (as expected) even though he does find her attractive, which is where things go awry.

Speaking of Brody, he's fun, but still a rather flat and undeveloped character. The instant love may have been problematic, but in addition he was just too plain—nothing special. More importantly, I didn't feel he and Harper had any chemistry, despite their superlative nominations. The whole relationship, the basis of the novel, just didn't convince me. A poor romance plot could be justified by likable leads or tons of character development, but in Perfect Couple, I found none. Brody remains the same dull "hero" until the end of the book, and Harper the equally snooty "heroine."

One thing I do applaud is how Harper has other things going on at home; her attention isn't solely fixated on Brody. She feels tied down to her mom's B&B, rarely lending her time to do what SHE wants—which, okay, isn't the toughest family situation YA has ever encountered, but it's still a refreshing break from the hardly believable Brody mess. Eventually, being named to the Perfect Couple title with him makes her realize something more than her attraction: that her world is smaller than it needs to be since she is doing what other people want or expect, instead of exploring all her possibilities. I think this is a valid lesson that all young adults will learn at some point in their lives, so I'm glad it was a part of Harper's story.

Pros


Light, easy-flowing plot // Lots of drama (that every good high school romance needs) // Recurring characters (Tia, Sawyer, Will, etc.) make the cast seem more familiar, like revisiting old friends // Grounding and realistic lessons about teenage love, not just a formulaic boy-meets-girl story

Cons


Weak dialogue // Unremarkable and unrealistic plot // Harper is unlikable and melodramatic // Brody is unmemorable // No character development. At all // Internal and external conflicts are too disparate // Echols's style isn't anything to write home about // Disappointing after Book 1, Biggest Flirts

Verdict


Fresh and entertaining yet still full of high school relationship drama, Perfect Couple is a decent continuation of the Superlatives series. Unlike the first book, whose characters really stood out and left an impression on me, this one seems more plot-driven—although admittedly, the plot itself isn't that strong either. I was more excited to revisit Tia and Will from Biggest Flirts in this book, and given the opportunity, I'd try Book 3 for Sawyer and Kaye, no doubt. While I am glad I got to read the second installment in this light-hearted romance series, I'm even gladder to leave Harper and Brody behind Americanflag

6 hearts: Decent for a first read, but I'm not going back; this book is decidedly average (whatever that means!) (x)

Saturday, June 27, 2015

6 Heart Review: Love and Miss Communication by Elyssa Friedland

Love and Miss Communication
Elyssa Friedland

Page Count: 400

Release Date: May 12th 2015
Publisher: William Morrow (Harper Collins)
Source: Complimentary copy provided by publicist in exchange for an honest and unbiased review (thank you, Wunderkind PR!)
Rating: ♥♥♥♥♥♥♥♥♥♥

This unforgettable debut novel asks us to look up from our screens and out at the world... and to imagine what life would be like with no searches, no status updates, no texts, no Tweets, no pins, and no posts

Evie Rosen has had enough. She's tired of the partners at her law firm e-mailing her at all hours of the night. The thought of another online date makes her break out in a cold sweat. She's over the clever hashtags and the endless selfies. So when her career hits a surprising roadblock and her heart is crushed by Facebook, Evie decides it's time to put down her smartphone for good. (Beats stowing it in her underwear—she's done that too!).

And that's when she discovers a fresh start for real conversations, fewer distractions, and living in the moment, even if the moments are heartbreakingly difficult. Babies are born; marriages teeter; friendships are tested. Evie may find love and a new direction when she least expects it, but she also learns that just because you unplug your phone doesn't mean you can also unplug from life.
Somehow quitting the Internet felt right. Like it was taking the bite out of the knockouts she'd been dealt recently. At least this would make her different from everyone else, more unique than another faceless lawyer at a big firm or single girl in Manhattan looking for love. At least she'd have something to talk about on a date, if she ever went on one again. But that was just it. She was relying on the Internet for dates—now she'd go out and meet people in the flesh.

The synopsis of this book is what drew me in initially; disconnecting from the Internet entirely and searching for love as a single thirty-something in New York City? It sounded like the perfect modern-day fairytale. Generally, I did enjoy this book; it's a fresh, airy chick-lit that won't make you think too hard, perfect for a summer road trip or for the beach.

It's clear Friedland is a talented writer in this genre; Love and Miss Communication is an impressive debut. However, a series of minor details struck me as obnoxious, and paired with the pretentious and unlikable main character, Evie, I found myself docking points here and there, and well, eventually everywhere.

Evie, I think, is meant to be an endearing character. A career-driven recent breakup-ee surrounded by happily married friends, she's a protagonist we should sympathize with, root for. Unfortunately, it became very evident very quickly WHY Evie was single. I mean, she's gorgeous, smart, successful (I pulled these adjectives from the text, verbatim)—what's not to love?

Her personality, for starters. I can't imagine wanting to be acquainted with someone as envious and spiteful as her, let alone marry. While she is a funny, often klutzy, self-deprecating sort of gal, she's not nearly as scathing or socially aware enough to get away with her immaturity. Her observations and outlooks on life/dating are bratty, catty, and often borderline offensive... specifically, I feel Friedland crosses the line when she brings unnecessary details about race and class into question. For instance, every time someone is described as "hotter" than Evie or promiscuous, it's an Asian chick. All the manicurists or servers are described as "ethnic," and Evie's ex's new girlfriend is "a Turkish whore." She often expresses insane jealousy over her friends' perfect marriages, and even worse, acts upon these insecurities frequently. Some friend, right? There is one instance where she literally swoons over a guy because of his university credentials, which she calls "pedigree." PEDIGREE. (It becomes obvious that a primary reason she is single is that she won't even look twice at a guy who hasn't graduated from an Ivy League. It's really that simple).

I was able to count 6 more examples or stereotyping/objectification just by skimming through the book. Is there really a need to bring details of minority race/class into such trivial matters like these? I understand it may just be an enormous lapse in judgment but even if just a faux pas, it got on my nerves big-time. I'm not accusing the author of being racist or snobby, but do all the examples make Evie sound like your stereotypical privileged whiney white girl? Absolutely.

If you can get past all that, as well as Evie's unnecessarily competitive and stuck-up personality (and the fact that she doesn't ever grow or evolve into a better person), you'll have better luck appreciating the romance plot which, while unextraordinary, certainly wasn't poorly written, considering this is a light-hearted, feel-good novel. Evie's technology ban isn't as deeply explored as I expected it to be, but it does serve as a prominent theme throughout, so it sets the storyline apart from other contemporary reads.

Happily-ever-after fans will love the ending, regardless of how predictable or unrealistic it may be.

Pros


Laugh-worthy situations Evie gets herself into // Smart, sharp voice // Fluid, easy-to-read style // Hilariously accurate observations on modern dating and social media

Cons


Predictable // Romance portion seems unrealistic, more of the insta-love often found in chick-lit than actual romance // Evie is a self-absorbed and completely unlikable character // Repeated offensive/inferior references to racial and socioeconomic minorities that really ticked me off

Love

"I really think the experience of losing a loved one helps me connect with patients a lot better than I would have otherwise," [Edward] said.

"I totally get that. I just basically got fired and now I connect with unemployed people more than I used to," Evie said. "It's all about the human experience."

What the fuck was she saying?

Edward nodded in agreement, possibly just to save her from embarrassment.

Verdict


Overall a light, fluffy read that doesn't require too much thought or emotional investment, Love and Miss Communication provides extremely funny and relatable anecdotes about modern society from the perspective of a single city woman in the 21st century. While I had a huge issue with Evie's static, high and mighty character, I generally did enjoy this humor- and heart-filled story about breaking out of your comfort zone and finding love—along with finding yourself. Elyssa Friedland provides insightful observations on technology and the pressures of social media in this debut, but leaves a lot to be desired in terms of plot complexity and character development  Americanflag

6 hearts: Decent for a first read, but I'm not going back; this book is decidedly average (whatever that means!) (x)