Showing posts with label orphans. Show all posts
Showing posts with label orphans. Show all posts

Friday, April 25, 2014

9 Heart Review: Mind of Winter by Laura Kasischke

Sorry for the late review but it's finally up!!!

Mind of Winter
Laura Kasischke

Page Count: 276

Release Date: March 25th 2014
Publisher: Harper (Harper Collins)
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Harper Collins and TLC!)
Rating: ♥♥♥♥♥♥♥♥♥

Something had followed them from Russia.

On a snowy Christmas morning, Holly Judge awakens, the fragments of a nightmare—something so important that she must write it down—floating on the edge of her consciousness.

Something had followed them from Russia!

It was thirteen years ago that she and her husband, Eric, went to Siberia to adopt the sweet, dark-haired child they had wanted so desperately. How they laughed at the nurses of Pokrovka Orphanage #2 with their garlic and superstitions, and ignored their insistent warnings. After all, their fairy princess Tatiana—Baby Tatty—was perfect.

As the snow falls, enveloping the world in its white silence, Holly senses that something is not right, and has never been right in the years since they brought their daughter home. Now Tatty is a dangerously beautiful, petulant, and often erratic teenager, and Holly feels there is something evil lurking within their house.

She and Tatiana are alone. Eric is stuck on the roads, and none of the other guests for Christmas dinner will be able to make it through the snow. With each passing hour, the blizzard rages and Tatiana's mood darkens, her behavior becoming increasingly disturbing... until, in every mother's worst nightmare, Holly finds she no longer recognizes her daughter.
They never speculated whether Tatiana might have inherited her love of horses from some Mongol ancestor or whether her lovely singing voice had been passed down from a gypsy grandmother. Neither of them speculated as to whether there might be manic depression tucked away in those genes, as there was in Holly's, or heart disease, cancer, anything. Their daughter had come to them without legacy. She was so beautiful and perfect she did not need one.

On Christmas morning, Holly Judge comes to with a startling message from a foggy dream she's just awaken from: something had followed them home from Russia.

Something had followed them home from Russia! These words, in the context of her daughter, Tatiana's adoption from Pokrovka Orphanage #2 in Siberia 13 years ago, should send chills up your spine. As Holly deals with the domestic mishaps of stressful Christmas dinner preparations, readers tap into the reflective, wistful dusty corners of Holly's mind. Her thoughts drift from her troubled childhood, to her hardest battles, to Baby Tatty's excruciating but worthwhile adoption, to Tatiana's adolescence; these flashbacks are what make up the secure, nostalgic portion of the book.

In the present, however, Holly must face something far more frightening than her personal tragedies and memories: her daughter. The frustration of motherhood is really well captured through Holly's third person narrative. She's excessively sensitive—paranoid, easily startled, a bit overbearing—but her egocentric way of thought is forgiven solely because of how relatable she is, how easy to sympathize with.

Tatiana and Holly's relationship is slightly morbid, a bit eerie to begin with. There's something lurkingly alarming about Holly being trapped inside the house in a snowstorm with a daughter that isn't acting like herself anymore, and although their interactions only occur within a span of eight hours (or so), they take up the entire novel, which should be an indication of just how scrutinizingly—just how comprehensively—Holly's life story unravels.

No matter how much you reflect, the past will always catch up with you, Holly realizes when her reminiscences culminate with a jarring, unexpected revelation that tilts her perspective, sense, and reality a several degrees. The ending of the book—which I won't give away—will make your mind reel and have you rethinking the virtues of destiny, sanity, and delusion of perfection.

Laura Kasischke is a clear poet, with smooth and imaginative style that sets a perfectly chilling and increasingly distressing mood. I noticed a lot of readers on Goodreads complaining about the repetition of certain lines and the exaggerated alarm with which Holly perceives the world, but—hello?—that's the entire POINT of her writing style! Kasischke's merit isn't quite literary, but it's sensuous, it's poetic, and it needs to be read like a movie script would: dramatically, frenetically.

I know the cover is really creepy, and while I can definitely vouch for a disturbing quality to this novel, I also have to say it isn't all blood and guts and gore; I wouldn't call this a horror novel, exactly. It's more about horror of the mind; Mind of Winter is a shadowy psychological thriller that won't only have your heart leaping up in your chest, but will also make you consider the limitations of a solitary perspective, and what it means to truly understand a story.

Pros


Completely absorbing... it was hard for me to stop reading! // Mind-blowing turn of events // Structurally and stylistically bizarre, but that much more impressive // Nothing violent or explicit, but as a trigger warning, there is definitely some emotionally disturbing content // Poetic, repetitive flow to Kasischke's voice // Vivid, detailed style // Introspective // Presents accurate remarks about the joys and dangers of what's inside of us // One of those books that will make you double-take and think hard

Cons


No chapters or clear structure to the book, which I understand is intentional, but it made it hard to find stopping points while reading (not that I wanted to stop reading) // Creeped out the living sh!t out of me (which is actually pretty cool, now that I think about it)

Love

"It isn't repression to acknowledge the horrors of this world and let them go. It's freedom."

Verdict


Tranquilly dark, hauntingly portrayed, and ultimately, completely mind-bending, Laura Kasischke's latest novel is a hair-raising glimpse at not only a repressive household's mother-daughter relationship, but also into the scariest place possible: the human mind. While not explicit or particularly horrific, Mind of Winter has some disturbing content that keeps me from recommending it to the average Jane. However, if, like me, you can stomach that kind of psychological manipulation from the author, and if you're a fan of unreliable narrators, macabre portraits of repression and denial, and characters that come with no baggage or legacy, then this is your next must-read. Buy yourself a copy now Americanflag

9 hearts: Loved it! This book has a spot on my favorites shelf (x)

Wednesday, October 30, 2013

9 Heart Review and Giveaway: Songs of Willow Frost by Jamie Ford

Songs of Willow Frost
Jamie Ford

Page Count: 304

Release Date: September 10th 2013
Publisher: Ballantine Books (Random House)
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Random House and TLC!)
Rating: ♥♥♥♥♥♥♥♥♥

Twelve-year-old William Eng, a Chinese-American boy, has lived at Seattle’s Sacred Heart Orphanage ever since his mother’s listless body was carried away from their small apartment five years ago. On his birthday—or rather, the day the nuns designate as his birthday—William and the other orphans are taken to the historical Moore Theatre, where William glimpses an actress on the silver screen who goes by the name of Willow Frost. Struck by her features, William is convinced that the movie star is his mother, Liu Song.

Determined to find Willow, and prove his mother is still alive, William escapes from Sacred Heart with his friend Charlotte. The pair navigates the streets of Seattle, where they must not only survive, but confront the mysteries of William’s past and his connection to the exotic film star. The story of Willow Frost, however, is far more complicated than the Hollywood fantasy William sees onscreen.

Shifting between the Great Depression and the 1920s, Songs of Willow Frost takes readers on an emotional journey of discovery. Jamie Ford’s sweeping book will resonate with anyone who has ever longed for the comforts of family and a place to call home.
Maybe it was his imagination. Or perhaps he was daydreaming once again. But William knew he had to meet [Willow Frost] in person, because he had once known her by another name—he was sure of it. With his next-door neighbors in Chinatown, she went by Liu Song, but he'd simply called her Ah-ma. He had to say those words again. He had to know if she'd hear his voice—if she'd recognize him from five long years away.

On an outing to Seattle's Moore Theatre, 12-year-old William Eng—the only Chinese-American orphan at Sacred Heart—is stunned to catch onscreen, the familiar face of well-admired actress and "Oriental beauty," Willow Frost, whom he, five years ago, knew by another name: mother.

Songs of Willow Frost is a sensationally crafted novel that follows William's search for his carefully buried roots, spurned by the kind of familial longing only known as a child's unconditional love, and the ghosts and demons of his mother's past that he discovers along the way. The narrative shifts between the Great Depression and the technological revolution of the early 1920s, offering both William's real, raw perspective of Chinese-American life, as well as Liu Song's shining voice—her invaluable song.

There are just so many things I loved about this book! It's distressing how I can't list them all off at the same time, but I'll begin with the characters. William's naïveté is tender, and will make your heart ache. At once hopeful and painfully mature, his narrative gives rich glimpses of what it must have been like to be an abandoned child during the Great Depression—who were dubbed "orphans" like he was, and were not at all uncommon during this time—and is so emotionally well rendered. Liu Song is the character who has committed a mother's most atrocious crime by abandoning her child, but once her side of the story is told—and with it, William's mysterious past unraveled—we see nothing but the compromised woman with a crushing sadness, the brave, beautiful performer who sacrificed everything to salvage her son. While William's story is profound, Liu Song's is haunting, debilitating. She is so real and so human; I related to her in so many ways, which is the magic of her complex and alluring characterization in that she is exonerated because we as readers want to forgive her—we want to understand.

Ford effectively evokes the glamor of pre-Depression 1921, which enshrouded the magic of theatre and the rise of the radio star, and even transitioning to later years, conveys the grayness of the Great Depression in tandem with the emergence of Hollywood's Golden Era—which is to say, film over theatre, or Willow Frost over Liu Song. I am amazed at how culturally rich and historically vibrant Ford's Seattle Chinatown is; I lived, breathed, and loved these characters and this setting.

The story is also extremely stylistically impressive; Ford writes with great sensitivity and deep beauty in the tenderest way that induces shivers and raises goosebumps. In Willow's distraught confession, plea for forgiveness, and imminent personal departure, her past's troubles, her largest of sacrifices, and ultimately, her desire to rise up from cowering behind the façades of both the stage and screen, are intimately, agonizingly revealed... all in order to give everything to the one person she will never cease to love: her son.

Pros


Breathtaking historical scenery—colorful and lush descriptions of 1920s- and 30s-era Seattle // William and Willow are gorgeously characterized; both are lovable AND complex // Intriguing story with unique backdrop // Insight into both early 20th-century Chinese culture and Chinese-American expectations // Lovely in style... I could read Jamie Ford's prose forever! // Poignant, heartbreaking // Evocative of a mother's love; well-developed (albeit convoluted) mother-son relationship portrayed

Cons


Occasionally, scenes dragged out and grew boring, but this was not that big of a problem for me, and it was mostly just in the beginning

Love

[Liu Song] saw the triumphant jockey riding his Thoroughbred to the winner's circle. The small man was clad in leather and silk, with whip in hand. Liu Song grimaced when she saw the welts on the horse's back and foreleg. She ached for the exhausted horse as she watched its muscles twitch and could smell the sweat and fear. She felt Leo's hand on her backside and was jealous of the blinders the horse wore. She wished she had something similar to shut out the world.

Verdict


Lacerating, expressive, and beautifully melancholic, Jamie Ford's long-anticipated second novel unfalteringly trails young William Eng as he determinedly sets out to unearth a slew of family secrets and a home for his perpetually expectant heart. With stunning insight on a desolate, but regardless exquisite mother-child relationship, and magnificent attention to period detail, Songs of Willow Frost is a stirring, tumultuous, and ultimately triumphant story of one mother's struggle to stay afloat under immense societal scrutiny and Chinese-influenced expectation, and how although that survival may become her weakness and her desperation, it will never diminish her overwhelming love Americanflag

9 hearts: Loved it! This book has a spot on my favorites shelf (x)

Giveaway!


Okay, guys, here's the exciting part. The publisher has been kind enough to offer one finished PRINT copy of Songs of Willow Frost to a
 very lucky Books à la Mode reader, which means one of y'all will get to read this fabulous book!!! Leave a comment on my review for the chance to win. Be sure to leave your email address so I know who to contact when I draw a winner! Only meaningful comments will go into the contest, which means irrelevant comments consisting of only "Thanks for the giveaway" will not count as an entry!!!


Don't forget the entry eligibility terms and conditions!
Sponsored wholly by the publisher and tour publicist—a huge thank you to Random House and TLC Book Tours!
Giveaway ends November 12th at 11.59 PM (your time).

Open to US readers only. Sorry, everyone else! Check out my sidebar where you'll find a list of giveaways that currently are running internationally—there are plenty to choose from!
Void where prohibited.
Winners have 48 hours to claim their prize once they are chosen, or else their winnings will be forfeited.
Although I do randomly select winners, I am in no way responsible for prizes, nor for shipping and handling.
As a reminder, you do not have to follow my blog to enter, though it is always very much appreciated ❤
Good luck!

Friday, August 17, 2012

♥♥♥♥♥♥♥♥♥: The First Escape by G.P. Taylor

The First Escape (The Dopple Ganger Chronicles #1)
G.P. Taylor

Release Date: September 1st, 2008
Publisher: SaltRiver (Tyndale House Publishers)
Page Count: 279
Source: Complimentary copy provided Tyndale Blog Network in exchange for an honest and unbiased review (thank you!)

At Isambard Dunstan's School for Wayward Children, life is trouble for fourteen-year-old identical twins Sadie and Saskia Dopple and their friend, former thief Erik Morrissey Ganger. But what starts out as a perfectly normal day of food fights, rioting classmates, and (yawn) threats of expulsion goes suddenly and horribly wrong when a mysterious, wealthy woman appears at the school and adopts Saskia... without her sister.

On her own in a mansion full of dark secrets, Saskia stumbles upon a conspiracy that threatens her very life. Meanwhile, desperate to find Saskia, Sadie and Erik escape from the orphanage with a gang of enemies in hot pursuit. Faced with perils beyond their imaginations, the trio must decide who to trust—and what to believe—if they are to survive long enough to find each other again.
What Stephanie Thinks: Graphic novels have been viewed with skepticism by literary critics, but I personally think they're amazing vessels for storytelling, especially for the sake of reluctant readers. I, as a kid, loved reading, but I know I was a part of the minority; many kids, especially today with so much 'vital' technology, are disinclined to read because they find it boring or they get restless. Fortunately, The First Escape may help invigorate such book cynics.

Set in a rather gloomy gothic setting, presumably Victorian or Edwardian Britain, The First Escape intertwines each Dopple twin's adventures after being, for the first time, parted from her lifelong fraternal counterpart. As sisters, they pretty much share the same heart, the same brain, so it's terrifying for both of them, to have to be separated. This motivates Sadie to escape the dreadful Isambard Dunstan's School for Wayward Children in order to find Saskia, and Saskia to escape her new home, as much as she is glad to have been adopted. 

The First Escape tells an adventurous and vibrant, yet at the same time, hair-raising and chilling story through beautiful and child-appropriate illustrations. This is definitely a children's novel in both content in style, but I would save it for the more mature readers, because there is some daunting material, stuff that easily-frightened children may freak out over, or find very disturbing. Just because it's a graphic novel, doesn't mean it's a picture book, or just for young kids; I would recommend it for children ages 8 to 12.

Taylor's writing is so-so, nothing spectacular, but his treading plot is full of twists and turns with a heart-pumping, completely satisfying ending, that ensures the reader that the story isn't over quite yet. I hope I do get the opportunity to read the next installment of this titillating series. I absolutely love the structure of the book. It's not just in comic strip form; the pages consist of comic panels, yes, but also straight pages of prose (as you'd see in a regular novel), as well as artistic depictions of words splayed out across pages, in swirls and shapes of all kinds, surrounding illustrations... simply beautiful. I was definitely impressed by the innovative stylistic choices of the combination of pictures and words.

The First Escape is composed of two different exploits and adventures—Sadie's story, and Saskia's—but they parallel (as well as juxtapose) one another nicely, and come together eventually to illuminate this Gothic revival-era children's story. It reads like a folk tale almost, with prevailing morals, and a Christian undertone (note: Tyndale is a Christian publisher and this book does have Christian connotation about belief in a higher power, blah blah, but I wouldn't say it is an overwhelming theme. God is never directly mentioned, so I think it's mostly up to the reader and the way he or she will interpret this message. I personally just considered the 'higher being' to be a potential version of one's own soul, although I knew it was implicating God. To each one's own). I think middle grade readers, especially those who don't like to read in the first place, will be intrigued by Taylor's exciting, eerie, and paranormal story and amazed by the earthy, but still penetrating illustrations that enrich it.

Stephanie Loves: "[Sadie's] heart still pounded, and every breath burned her lungs. But the smile that beamed across her face spoke of the hope within her heart."

Radical Rating: 9 hearts: Loved it! This book has a spot on my favorites shelf. ♥♥♥♥♥♥♥♥♥