Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Wednesday, December 30, 2015

10 Heart Review: The Lover's Dictionary by David Levithan

The Lover's Dictionary
David Levithan

Page Count: 211

Release Date: January 4th, 2011
Publisher: Farrar, Straux, & Giroux (MacMillan)
Source: Purchased
Rating: ♥♥♥♥♥♥♥♥♥♥

A love story told in dictionary entries. 

basis, n.

There has to be a moment at the beginning when you wonder whether you’re in love with the person or in love with the feeling of love itself.

If the moment doesn’t pass, that’s it—you’re done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it’s even there when you thought you were searching for something else, like an escape route, or your lover’s face.


How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan’s The Lover’s Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.
ineffable, adj.
These words will ultimately end up being the barest of reflections, devoid of the sensations words cannot convey. Trying to write about love is ultimately like trying to have a dictionary to represent life. No matter how many words there are, there will never be enough.

It's been a long time since I've encountered a book that's moved me as much as The Lover's Dictionary has. I knew from page 1 that I'd end up treasuring it, mainly because I've anticipated it for so long and finally just sat down and picked it up—which I'm not sure why I didn't do sooner, since it's such a short read. Being a frequent retweeter from the book's Twitter page, I had high expectations with this one, and honestly, every single one of them were met.

Writing this review is proving to be difficult because The Lover's Dictionary's format and plot layout are both quite unusual. The obvious novelty of this story is that it's not narrated traditionally with chapters, but rather through individual dictionary entries, in second person by an unnamed protagonist to his lover. The whammy is that these little vignettes are arranged alphabetically, not chronologically—as dictionaries tend to be organized—so the lovers' story is non-linear, and is rather told in sporadic moments with which anyone who's been in love will be able to relate: frustration, butterflies, doubt, insecurity, optimism about the future, exasperation, elation. Each entry is its own story, spare on words but regardless extremely high-impact.

This non-chronological sequence of events is far from confusing or difficult to read, however; somehow, Levithan still makes it work because the story itself does not require a definitive beginning or end. All we know is that there is a couple, there is a conflict, and there is no clean resolution—because in real life, there hardly ever is. That's what I think makes it so potent; its implications regarding the ineffability of love are so relatable, so real.

The plot itself isn't necessarily a sweeping romance, nor a particularly profound love story—that's not why I love this book. In fact, the dictionary entries, while beautifully crafted, are vague and often unsettling, but each of them packs a strong punch. I was sucked in immediately because the main problem is introduced so early on, but it's only unraveled as you read further down the alphabet. The inevitable doom of the relationship's tragedy is always hanging in the air, impending, and the distressing feeling that it probably won't have a tidy tucked-away ending will constantly stick with you. You'll either be enchanted by Levithan's interpretation of each word, or find yourself relating to each on a near-spiritual level; there isn't a single page that I didn't like in this novel.

Pros


Touching, breathtaking // Relatable in the subtlest aspects that everyone notices in relationships, but don't necessarily always put to words // Portrays love beautifully, humanly // Unusual concept of book structure, but I found it clever and very absorbing // Conveys a realistic view of a romance, as deep and exhausting as it may be—they don't always "end" like they do in books and movies // A very quick read, since each "chapter" is composed of one dictionary entry (1-2 pages each)

Cons


Not a problem with the book itself, but with my inability to express with words how great it is: my review and the back cover synopsis do not do it justice!

Love

juxtaposition, n.
It scares me how hard it is to remember life before you. I can't even make the comparisons anymore, because my memories of that time have all the depth of a photograph. It seems foolish to play games of better and worse. It's simply a matter of is and is no longer.

Verdict


Remarkable in ways that my own words fail to sufficiently articulate, The Lover's Dictionary is a comforting, candid, and devastating characterization of love, and the parallel irony to ever be able to adequately write about it. If I don't have you convinced, check out the corresponding Twitter page for a more succinct preview of what the book is like. David Levithan has an extensive fan base for valid reason; his grasp on the written word is adept, his understanding of the human tendency to fall in love with flaws is painfully accurate, and when his dictionary entries are pieced together, the end result is simultaneously witty and evocative. This is the kind of book I wish I could write: a subtle masterpiece and a hefty accomplishment Americanflag

10 hearts: I'm speechless; this book is an extraordinarily amazingly wonderfully fantastically marvelous masterpiece. Drop everything and go buy yourself a copy now! (x)

Thursday, June 18, 2015

7 Heart Review: Hugo and Rose by Bridget Foley

I haven't written a review in a loooooongass time, even though I've been reading quite a lot these days. I'm a little rusty so I apologize if my thoughts aren't as put-together, but this is one of the many books I've finished and have had in my stack of "to-review" books, which means there are more to come!

The focus of this blog has really evolved to feature authors with new releases, and of course, host giveaways, which seem to be the most popular posts here for obvious reasons—rather than reviews. I'm on summer vacation at the moment which gives me lots of free time to read, although I don't feel as urgently motivated to review them all, as I used to be. I'm enjoying getting to read books I've had on my TBR pile (that I've forever neglected due to school/work, or because I was committed to my ARCs from publishers instead), and revisiting old classics... it's a great feeling, no pressure and no obligation. Book reviews definitely have their merits but I feel more connected to the literary and publishing world by keeping up with new releases, and of course with interacting with my lovely readers. Can you believe we hit 15,000 followers on Bloglovin'?! I appreciate each and every one of you all, as always ♥

If you guys have any input on what you'd like to see on Books à la Mode in the future (book-, beauty-, or fashion-related!) please don't hesitate to let me know.

Hugo and Rose
Bridget Foley

Page Count: 352

Release Date: May 5th, 2015
Publisher: St. Martin's Press (Macmillan)
Source: Complimentary copy provided by publisher in exchange for an honest and unbiased review (thank you, St. Martin's Press!)
Rating: ♥♥♥♥♥♥♥♥♥♥

A beautifully imagined women's fiction novel about a housewife who's dreamt of the same man every night her entire life—until she has a chance meeting with him in the real world.

Rose is by most qualifications an ordinary housewife, except for her dreams. Since childhood, she has always dreamt of the same island, with the same imaginary companion: a brave, heroic boy named Hugo. Rose’s own children now live for tales of Hugo and Rose’s adventures, battling giant spiders and bouncing on the pink sand of the Blanket Pavilion. And each night, after putting her sleepy children to bed, Rose escapes from the monotony of diapers and cracker crumbs to become a more perfect, fully-realized version of herself.

Until one day, Rose stumbles across Hugo in real life, and everything changes. Here is the man who truly knows her, who grew up with her, even if they aren’t what either one imagined. Their chance encounter begins a cascade of questions, lies, and a dangerous obsession that threatens to topple everything she knows. Is she willing to let go of everything she holds dear to understand their extraordinary connection? And will it lead her to discover who she truly wants to be?
Why had the universe conspired to send her dreams of the same person every night of her life and then present him to her now, when there was nothing to be done about it? When her life was already locked into place. Her husband chosen. Children born. Investment plans selected.
How inconvenient it all was. To meet the man from her dreams now.

I was initially drawn to this book for its creative synopsis (as well as, let's face it, its beautiful cover), and while it isn't everything I hoped for it to be, it definitely surprised me in many areas, and I'm glad I was able to give it a chance.

Rose is a jaded housewife—a self-admitted "bad" mother and wife who hates tending to her kids and putting up with her loyal husband, but feels obligated to, in order to be a "good" person. Approaching middle age, she's not attractive, not strong, and feels like she isn't fulfilling anything, except for when she is asleep, in her nightly dreams, where she is a brave, slender adventurer with a handsome lifelong companion, Hugo.

When Rose encounters Hugo unexpectedly, jarringly, in her waking life, any literary audience would anticipate drama and threat to her mediocre living to unfold. True to expectation, this is a story about an ordinary woman with an extraordinary condition that follows the dangers of fantastical obsessions and idealized prospects when they intervene with real life.

While narrated in close third person, Rose is a very distant, detached character. I didn't necessarily not like her, and because she herself acknowledges her extreme defects (such as neglecting her children, pushing away her husband, Josh, etc.), I felt like she was somewhat relatable as a character who hasn't yet discovered herself, someone who just wants something more out of life. However, the path to her foolish decisions seemed very unnatural; I personally found myself wondering what was wrong with her inability to ever be rational.

One major thing that irked me was how Josh, Rose's husband, is an extremely two-dimensional character; more a plot device than anything. You would think that a literary/family story would incorporate more intimacy or complexity regarding the marriage or husband—the more you have, the more to lose—but he seemed thoroughly flat. What bothered me the most is that Foley relies on Josh (not completely, but heavily) to convey Rose's appearance and personality; he's constantly talking about how beautiful and wonderful a wife she is (which I personally couldn't see...) but it was a major point-of-view inconsistency, as the narrative is meant to be immediate to Rose.

Rose's obsessive, narrow-minded search for finding out what she really wants through incorporating Hugo into her waking life, when it's clear he was meant to only stay in her dreams, takes the thriller route in the last 25% of the book, which I didn't foresee at all, but still ate up every bit. The pure domestic suspense that expands into an actual struggle between life or death is flawlessly executed, and it was certainly my favorite part.

The interpretation of how Rose and Hugo are actually connected is beautiful, and quite haunting as well (I won't give it away, as it's a huge "aha!" scene in the book). The fantasy layer of the story drew me in at first, but I still appreciate how a real-life explanation was still provided; readers will find it moving, or interesting at least.

Pros


Unique plot, unlike anything I've ever come across before // Vividly imagined // Children are well characterized and lovable // Overall fascinating concept of connecting with another real-life person in dreams // Seamless backstory incorporated

Cons


Rose's character... I could relate to her in some respects but hated her most of the time because of her socially inept/questionable decision-making // Josh's character (Rose's husband) seemed like a plot device more than an actual person // Many clichéd phrases scattered throughout so-so quality writing // Very odd POV shifts

Verdict


Uniquely imagined and poignant in its implications about the human subconscious, Hugo and Rose is not your average things-fall-apart literary novel. Incorporating the fantastical element of dreams and a thrilling twist of a climax, it is captivating and thoroughly original, although not without faults. Looking past the annoying characters and problems I had with the narrative voice, I would definitely recommend Bridget Foley's debut for fans of strange but wondrous plots and blurry distinctions between dream and reality. It runs in the vein of magical realism, which in literature, is actually quite difficult to pull off, as Foley has Americanflag

7 hearts: Not perfect, but overall enjoyable; borrow, don't buy! (x)

Sunday, August 17, 2014

7 Heart Review: The Curiosity by Stephen Kiernan

The Curiosity
Stephen Kiernan

Page Count: 464

Release Date: July 1st 2014 (paperback edition)
Publisher: William Morrow Books (Harper Collins)
Source: Complimentary copy provided by tour publicist via publisher in exchange for an honest and unbiased review (thank you, TLC Book Tours and Harper Collins!)
Rating: ♥♥♥♥♥♥♥♥♥♥

What if the love of your life died decades before you were born?

When Dr. Kate Philo and her scientific exploration team discover the body of a man buried deep in the Arctic ice, her egocentric and paranoid boss, Erastus Carthage, orders the frozen man to be brought to his lab in Boston and reanimated. The endeavor is named The Lazarus Project, and as the man, Jeremiah Rice, begins to regain his memories, the last thing he recalls is falling overboard into the Arctic Ocean in 1906. When news of the project breaks, it ignites a media firestorm and protests by religious fundamentalists.

Thrown together by fate, Kate and Jeremiah grow closer. But the clock is ticking and Jeremiah’s new life is slipping away. With Carthage planning to exploit Jeremiah while he can, Kate must decide how far she is willing to go to protect the man she has come to love. A gripping, poignant, and thoroughly original thriller, The Curiosity raises disturbing questions about the very nature of life and humanity.
"When hard ice forms, any creatures in the water undergo extremely rapid freezing—so fast that the usual crystals of ice do not form. That speed leaves cells intact, and with unique chemical properties, namely abundant oxygen and glucose. Everything is preserved as it was when alive. Our challenge is to guide it back. Observe."

When love's timeline is limited, does it make that love any less meaningful? Reading the premise of The Curiosity sent a thrill reverberating through my body. From the Frankenstein-meets-The-Time-Traveler's-Wife storyline, to the ultimate romantic tragedy of finding a soulmate from another time and place—another plane—this was the kind of sci-fi novel I knew I had been waiting for for a long time. The good news is, in so many ways, this book blew my mind with its originality and argumentative depth. The bad news is, in so many more ways, it also disappointed me. My feelings, clearly, are mixed.

The Curiosity is narrated in the alternating voices of four arguably essential figures behind the Lazarus Project: Kate (the jaded scientist), Carthage (her controlling, mad-genius supervisor), Jeremiah (the judge and human subject), and Daniel (a seedy, seemingly useless reporter with an inflated sense of self-importance). Each point of view gives interesting perspectives on the discovery of the "unfrozen" man, Jeremiah, and the muddiness and uncertainty between these three characters are what contribute to most of the novel's tension—this was very well done.

Kiernan has the tendency to go into specific, sometimes rambly detail about, well, everything. I love how his style is both straightforward and analytical—like the scientific method—yet still profound. However, sometimes I felt like it was a bit too much; frequently, there is elaboration on what doesn't need to be elaborated, and it was frustrating and quite laborious to have to skim through all that to get to the good parts. And trust me—when The Curiosity got good, it got really good. The most exciting scenes of the novel—namely, Jeremiah's reanimation—are absolutely electrifying; they will make your heart pound wildly against your ribcage and your fingers tremble. These are the scenes that motivated me to continue reading the book, and that surpassed my expectations. But considering these brilliant pieces were so few and far between—nestled within long chunks of backstory and redundant ruminations—and clocking in at 464 pages, The Curiosity wasn't exactly an easy, or overall enjoyable, read.

In terms of actual writing style, Stephen Kiernan is no doubt, extremely talented. His voice flows vibrantly and cinematically, but gets stiff during Kate's narrations; she just doesn't seem relatable or likable to me. It bothered me that Daniel had to comment about how "hot" she is every few pages, in order for her attractiveness to be conveyed, but more importantly, she personally doesn't feel genuine. I'm unsure of whether this is because her female perspective was written by a man, or if her personality was just built like that—rigid and impersonal—but I hardly found myself rooting for her as the protagonist.

Since romance is among my favorite genres, I am typically a huge sucker for these types of "falling in love at the most inopportune moment" stories, but I felt the romance was misplaced in this situation. Kiernan begins with a sensational plot, but adding the romance in kind of cheapened it. Given the circumstances of high-profile scientific research and Kate's professional career, I was turned off by how her first encounter with Jeremiah immediately turned into a romance—it felt inappropriate, and largely, unbelievable. It was very well written and I did find myself being swept away by the angst that came with Kate's budding affection for the off-limits Jeremiah, but overall, I think The Curiosity could have been successful not being a love story.

While romance is not the biggest accomplishment of this novel, the intensity of thought-provoking questions raised, certainly is. Obviously, an ethical debate will come naturally with a storyline about a man who becomes a lab specimen, and the fact that Jeremiah is humanized by becoming the object of Kate's attachment further heightens the issue of morals and ethics. Both the scientific rationalizations and the convoluted line of events present readers with heart-stopping revelations and the frenzy that follows, and this was what made The Curiosity so provocative and so stimulating. To me, this novel isn't simply about a man who is revived, and a woman who loves him, but it's about two lost people who experience everything for the first time in their lives again; people who, through each other, are brought back to life.

Pros


Creative, captivating plot // Multi-dimensional and deep-delving storytelling, rather than just spelling out what happens // Perspectives of different characters are very distinct (and switch from first to second to third person, something I've never encountered before) // Thought-provoking and controversial in topic

Cons


Long-winded writing style // Bland, rather unmemorable characters, even when given emotions and a backstory // I had trouble sympathizing with Kate, which in turn, defeated the purpose of the "tragic romance" for me

Verdict


The Curiosity is a fascinating study on human vulnerability, the virtues of love, the astonishing power of science, but it's also a rather bulky novel. Due to its drawn-out chapters and massive page count, I didn't have that much fun reading it, but do I recommend it to others? Yes, yes yes! It's an impressive debut, a force to be reckoned with. Stephen Kiernan begins with an original plotline and cleverly interconnected multiple perspectives to produce a thought-provoking, challenging, and incredibly dynamic debut that I can see doing well on the big screen (luckily, 20th Century Fox has already bought film rights!!!). I suggest you only pick this up if you have a lot of patience and some time on your hands—as much of a page-turner as this book is, it is NOT something you can read within a few sittings Americanflag

7 hearts: Not perfect, but overall enjoyable; borrow, don't buy! (x)

Sunday, June 8, 2014

7 Heart Review: The Conditions of Love by Dale M. Kushner + Giveaway! (US/Can only)

The Conditions of Love
Dale M. Kushner

Page Count: 367

Release Date: May 14th 2014
Publisher: Grand Central Publishing (Hachette Book Group)
Source: Complimentary copy provided by tour publicist via publisher in exchange for an honest and unbiased review (thank you, TLC and Hachette!)
Rating: ♥♥♥♥♥♥♥♥♥♥

Dale M. Kushner's novel The Conditions of Love traces the journey of a girl from childhood to adulthood as she reckons with her parents' abandonment, her need to break from society's limitations, and her overwhelming desire for spiritual and erotic love.

Set in the Midwest in the last years of the fifties and filled with a cast of beguiling, unforgettable characters, this mesmerizing novel traces, in three parts, the ever-changing landscape of love in the life of young Eunice. In the first part, Eunice must reckon with familial love—in this case, from a seductively eccentric mother and an idealized, absent father. The second leg of Eunice's journey to adulthood introduces her to the steadiness of a nurturing love through her relationship with a mysterious stranger named rose. Finally, in the third act, Eunice is initiated into the world of passionate love.

This engaging examination of a mother and daughter's relationship will appeal to the same audience that embraced Mona Simpson's acclaimed classic Anywhere But Here and Elizabeth Strout's bestselling Amy and Isabelle.
I felt an enormous sadness shoot through my chest, and my eyes burned with tears. It frightened me how much I loved him; I wanted to call him back from wherever he was going, but in a rush of knowledge I realized my daddy was a tricky, dangerous man, and I could never trust his love.

I'm torn over how I feel about this book; on one hand, it indeed is a beautiful portrait of how love manifests in the life of Eunice, but on the other, it moves so lethargically, that oftentimes I found myself zoning out, and even skimming towards the end because I just wanted to be finished. You have to have a lot of patience to appreciate a book like The Conditions of Love.

Because the book is split up into three distinct sections that trace the different types of love Eunice experiences in each one, it was like reading three separate stories, all fluidly interconnected.

The first part, in which Eunice comes to terms with accepting being abandoned by her highly glorified father, reads historically. It will definitely induce nostalgia for children of the fifties, and for any younger generations, it will feel like reading about your own grandmother's childhood—a deeply troubled childhood at that, but nonetheless lushly told. It's a solid introduction to our protagonist, and it moves with stunning detail and clarity.

The second part is languid, almost mystical, and drags on as time does throughout the novel. I love how Kushner paces Eunice's teenage years—in which she learns to love a mother figure of a stranger—to mimic how unhurriedly her own life passes at this sage.

The third part definitely has its exciting, wholly erotic moments, but honestly it was the wordiest for me. I pretty much lost interest in Eunice's keen, but unnecessarily lengthy, observations on everything, and began to skim this section, which is probably why some of the story might be lost on me.

This is hardly a devastating critique, however. Overall, I was highly impressed with Kushner's vivid flourish to a theatrically set, poignant first novel.

Pros


Gorgeously written // Eunice is well versed and lovable // Emotionally turbulent // Strongly personified characters

Cons


Very dense and slow moving (but never boring)

Love

Sam took my hand and looked into my eyes. "Life's a crap shoot, baby. All I know is that the past will kill you if you let it."
This was the way things were. Sam would never stop feeling sad about [his late brother] and I would never stop feeling sad about not having a daddy. You went on missing a person the rest of your life.

Verdict


Dazzlingly detailed, remarkably poised, and wise to its perceptive core, Dale M. Kushner's debut novel is a fictional young woman's autobiographical account of love's grandest entrances and most devastating exits throughout her life. While I was not a huge fan of how slowly the book moved, especially towards the end, I will never forget Eunice's heartbreaks, nor the striking cast of characters. A fascinating following of an ordinary girl's maturation and its extraordinary moments, The Conditions of Love strongly creates a sense of longing for a woman you've only met through paper Americanflag

7 hearts: Not perfect, but overall enjoyable; borrow, don't buy! (x)

Giveaway!


Books à la Mode is giving away
 one finished print copy of The Conditions of Love
—woohoo! To enter, all you have to do is tell me:
When was the first time you experienced love? Interpret this any way you like; it can be familial love, platonic love, or romantic love—just share your story!
Please make your comment MEANINGFUL. Comments solely consisting of stock responses or irrelevant fluff like "Thanks for the giveaway!" will not be considered for entry. I really want to hear your thoughts! :)

Don't forget the entry eligibility terms and conditions!
Sponsored wholly by the tour publicist and publisher—a huge thank you to TLC Book Tours and Hachette Book Group!
Giveaway ends June 22nd at 11.59 PM (your time).
Open to US and Canada residents only. Sorry, rest of the world! Please check my sidebar for a list of currently-running giveaways that are open internationally. There are plenty to choose from!
Void where prohibited.
Winners have 48 hours to claim their prize once they are chosen, or else their winnings will be forfeited.
Although I do randomly select winners, I am in no way responsible for prizes, nor for shipping and handling.
As a reminder, you do not have to follow my blog to enter, though it is always very much appreciated ❤
Good luck!

Monday, May 19, 2014

1 Heart Review: Something Pretty, Something Beautiful by Eric Barnes

Something Pretty, Something Beautiful
Eric Barnes

Page Count: 247

Release Date: June 1st, 2013
Publisher: OutPost19
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, OutPost19 and TLC!)
Rating: ♥♥♥♥♥♥♥♥

In Tacoma, a circle of friends finds their leader in Will Wilson. Together, they drink, they get high, they take girls to the woods—but Will Wilson keeps pushing toward darker extremes. 

As the descent gets steeper, there is a way out: Another friend’s fishing boat off the coast of Alaska. There is life after Tacoma.

But the choice has to be made. And some friendships feel more than inevitable.

Something Pretty, Something Beautiful is a novel about bare and common violence. About the simple horrors taking place in the house that's down the street. The house along the road you drive past every day.

It’s about cars moving fast along streets lit white and gray. It’s about the crashing screams of a roller-coaster echoing out from the county fair.

Yet Something Pretty, Something Beautiful is also about quiet days in a small boat out on Puget Sound. Quiet days working hard in a fish plant in Alaska.

And it’s about the sadness of how to make those lives finally connect.
Will Wilson made our lives. He broke down limits Coe and Teddy and me didn't want. And by the time I left Tacoma, Will Wilson had given us all the kind of purpose and power that little kids fantasize about and most adults can never quite achieve.

I got up to page 52 of this book before I reached my "can't take this any longer" threshold, so I'm unable to reflect upon the storyline, but am more than happy to elaborate upon my DNF (did not finish) reasons below:

Something Pretty, Something Beautiful carefully details and juxtaposes the dark, wild antics of one group of friends's teenage years with the responsibility that comes with the adult world. Centered around the leader, Will Wilson, and the consequences that ripple out from childhood decisions, this book is descriptive but ambiguous, and reads like an extended vignette.

Stylistically, a novel-length vignette may sound attractive, but in this book, it's my biggest point of criticism. Eric Barnes tries terribly hard to sound poetic, but his sentence structure and word choices are off-key, and the pace of the storytelling is too sluggishly set. It took a lot of effort me to get just to page 52 (about one-fifths through) because I would find myself rereading certain sentences to try and process them.

The comprehensive effect is even worse; the awkward, choppy sentences paired with slow-moving scenes just make the book unreadable. What little I got out of the characters, I didn't like because they weren't very humanly portrayed—too flat, too uncertain—and the story was near impossible to follow because the mechanics of the writing just didn't keep my attention. The narrative and plot are constantly unclear, making it a confusing effort for me, which is why I eventually had to put it down.

Pros


Attractive cover and title

Cons


Even the synopsis is so incredibly vague that I don't know what the story is supposed to be about...?? // Writing style is superfluous and choppy // Poorly structured; setting, time, and perspective are never specified // Characters, or the narrator, for that matter, are superficially portrayed and hard to relate to // I couldn't even get through half of the book

Verdict


With ambitious attempts to be stylish in prose, but ending up more stylized and long-winded than anything, Something Pretty, Something Beautiful is a difficult, plodding novel I simply couldn't get into. It's pretty rare for me not to be able to finish a book, but the poor composition and uncertain storyline were too disorienting and floaty for me, and not in a good way (this is no Gabriel García Márquez, mind you). I tried hard to like Eric Barnes's sophomore novel because of its weighty, sinister undertone, but unfortunately gave up after 52 pages Americanflag

1 heart: Could not finish and have nothing positive to say; use this book to see if your pens still have ink, and keep it far, far away from me (x)

Wednesday, April 9, 2014

9 Heart Review: The Moon Sisters by Therese Walsh + Giveaway! (US)

The Moon Sisters
by Therese Walsh
Writer Unboxed | Fan Page | FacebookTwitter | Goodreads | PinterestFollow the Tour!

Page Count: 317

Release Date: March 4th 2014
Publisher: Crown (Random House)
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Random House and TLC!)
Rating: ♥♥♥♥♥♥♥♥♥

This mesmerizing coming-of-age novel, with its sheen of near-magical realism, is a moving tale of family and the power of stories.

After their mother’s probable suicide, sisters Olivia and Jazz take steps to move on with their lives. Jazz, logical and forward-thinking, decides to get a new job, but spirited, strong-willed Olivia—who can see sounds, taste words, and smell sights—is determined to travel to the remote setting of their mother’s unfinished novel to lay her spirit properly to rest.

Already resentful of Olivia’s foolish quest and her family’s insistence upon her involvement, Jazz is further aggravated when they run into trouble along the way and Olivia latches to a worldly train-hopper who warns he shouldn’t be trusted. As they near their destination, the tension builds between the two sisters, each hiding something from the other, until they are finally forced to face everything between them and decide what is really important.
"If you live your whole life hoping and dreaming the wrong things, what does that mean about your whole life?"

Beth Moon believed in one thing her entire adulthood—something that surpassed the importance of her husband, children, and self. Beth Moon was a writer, one who incorporated her dream into every word she penned, and one who penned words into every dream she dreamed. Upon recognizing the inevitable void in her entire crux of belief, she fell into a terrifying depression; and soon after, she took her own life.

But this is not the story of Beth Moon. Not really, anyways. This is the story of Beth Moon's untimely, ill-fated death: the uncovering of and reconciliation with her past, her ailments, her baggage. This is the story of her dreams and her writing: her unsent letters and unfinished novel. Ultimately, however, this is the story of her daughters, Jazz and Olivia Moon, and more importantly: of their inheritance.

Olivia's reality has always been bizarre, so when she decides to toss her mother's ashes into a suitcase and leave her isolated West Virginian hometown to go off to fulfill her mother's yearnings, Jazz isn't all that surprised.
[Olivia has] never been the poster child for sense.
Olivia's unfaltering quest propels the clashing sisters into what begins as a risky adventure—involving traveling, train-hoppers, and the unforgiving wilderness—and ends in devastating but simultaneously uplifting family revelations that makes The Moon Sisters one of the most evocative and perceptive adult coming-of-age novels I've ever read.

Narrated in alternating first-person voices of the two sisters, the novel elegantly embodies the suffocation and restlessness that arises from living in a small town, as well as the many faces and stages of grief. Readers follow both Jazz and Olivia's physical and emotional journeys as they lose their way, find their way, fall apart, and fall in love; with this progression, readers discover how each sister deals with her own denial, anger, bargaining, depression, and finally, triumphantly: acceptance.

One of the most significant questions Therese Walsh raises through both of the Moon daughters is on the worthwhileness of hoping and believing. The elusiveness of dreams—a once-comforting notion—increasingly causes both sisters distress as they reflect upon their respective childhoods and their mother's dismal reason for existence. Is it smart to hope and dream? Is it safe? Does it ever end in anything other than disappointment?

I was impressed by how realistic Jazz, the older sister, is—so flawed and easy to sympathize with. It was difficult for me to like her because she's so uptight, so logical, but I identify with her in so many other ways. Olivia, on the other hand, is a brightly burning character—both on the pages, and off. Her way of thought is difficult to penetrate—partly due to the synesthesia, partly due to the undeveloped sense of maturity—but it doesn't make her any less distinct; she's a colorful, imaginative character who's entirely offbeat, but that much more lovable. Therese Walsh is excellent with describing the flavor of words and the appearance of sounds and the way a person can smell like the sun. As in Amaryllis in Blueberry and A Mango-Shaped Space, the author vividly creates a different kind of reality from within Olivia; the effect is subtly hallucinogenic and staggeringly poetic.

While Hobbs, Olivia's secretive train-hopping companion, is a minor character, his relationship with Olivia smolders, ignites... intoxicates. I won't give too much away, but their slow-building rapport made me melt and shatter and want to cry. The Moon Sisters isn't explicitly a romance, but it contains overwhelming glimpses into the sheer capacity and capability of the human connection, that will desperately make you wish it was.

Illuminated by Walsh's mesmerizing, commanding voice, The Moon Sisters reads dreamlike—magical and dizzying and airy—but still possesses the emotional weight of coping and continuing—the care, keeping, and purging of ghosts, if you will. Readers will easily identify with the firmly planted emotions regarding tortured souls, family bonds, and the weakness and resilience that comes with being human.

Pros


Perfectly blends adventure, family drama, and personal reflection together // Exquisite style // Both sisters' points of view are equally refreshing and intriguing // Olivia and Hobbs... ugh ♥ // Story lulls in pace, but the tension makes it impossible to put down // Emotionally, powerfully reflective of the human heart and propensity to dream // Trippy, dreamlike perspectives are so well constructed

Cons


Slow start // Didn't like how Beth Moon's letters are actually displayed. They seem much too private and were disappointing solely because it seems impossible to write them the way I imagined them

Love

There was no snapping branches or movements between us then. Only a sense of seeing that went beyond what anyone might perceive with eyes.

He's uglier than sin, you know.

I doubted I would believe that even if I weren't living life on periphery and bound for a further edge, if I could see Hobbs's dragon-camouflage skin with all its details. Liking him felt more honest than anything I'd experienced before, too, maybe because of its quick-form, raw-wound beginning and lack of clarity, its sheer instinct, and the fact neither of us had turned yet to run in the other direction.

"You don't scare me, Hobbs."

"Said the girl who stared at the sun."

Verdict


An intricate, intimate portrait of one young woman's quest to carry out her deceased mother's unfulfilled dream—as well as her older sister's determination to put an end to it—The Moon Sisters is a gorgeously crafted and expressive examination of the importance of sticking together as a family, maintaining fair perspective, and the harmful but necessary means of self-preservation. Offering endless discussion on topics such as the true difference between blindness and sight, the role and impact of mothers, and the dangers of the foolish fire that is hope, this would make a terrific book-club read. Therese Walsh skillfully weaves a complicated story with even more complicated roots in this glorious second novel; I love and recommend it wholeheartedly Americanflag

9 hearts: Loved it! This book has a spot on my favorites shelf (x)

Giveaway!


Books à la Mode is giving away one finished print copy of The Moon Sisters—yay!! To enter, all you have to do is tell me:
What's something you're determined to do or experience before you die?

Don't forget to include your email address or Twitter username in your comment so I know who to contact when I choose a winner. Don't make me track you down!!!! No email = No entry!
My serious answer: I know this is way way way too early for me to be thinking about, but I don't want to die before starting my own family. The loving husband, the two-point-five children, the rowdy dog, the white picket fence—all that average stuff ;)
My less serious answer: Write (and publish!) a novel.

What about you?

Please make your comment MEANINGFUL. Comments solely consisting of stock responses or irrelevant fluff like "Thanks for the giveaway!" will not be considered for entry. Therese and I really want to hear from you guys! :)

Don't forget the entry eligibility terms and conditions!
Sponsored wholly by the tour publicist and publisher—a huge thank you to TLC and Random House!
Giveaway ends April 22nd at 11.59 PM (your time).
Open to US residents only—sorry, international readers! Check out my sidebar for a list of currently running giveaways that are open worldwide—there are plenty to choose from!
Void where prohibited.
Winners have 48 hours to claim their prize once they are chosen, or else their winnings will be forfeited.
Although I do randomly select winners, I am in no way responsible for prizes, nor for shipping and handling.
As a reminder, you do not have to follow my blog to enter, though it is always very much appreciated ❤
Good luck!

Tuesday, January 21, 2014

8 Heart Review: Perfect by Rachel Joyce and Giveaway!

Perfect
Rachel Joyce
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Page Count: 400

Release Date: January 14th 2014
Publisher: Random House
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Random House and TLC!)
Rating: ♥♥♥♥♥♥♥♥♥♥
A spellbinding novel that will resonate with readers of Mark Haddon, Louise Erdrich, and John Irving, Perfect tells the story of a young boy who is thrown into the murky, difficult realities of the adult world with far-reaching consequences.

Byron Hemmings wakes to a morning that looks like any other: his school uniform draped over his wooden desk chair, his sister arguing over the breakfast cereal, the click of his mother’s heels as she crosses the kitchen. But when the three of them leave home, driving into a dense summer fog, the morning takes an unmistakable turn. In one terrible moment, something happens, something completely unexpected and at odds with life as Byron understands it. While his mother seems not to have noticed, eleven-year-old Byron understands that from now on nothing can be the same. What happened and who is to blame? Over the days and weeks that follow, Byron’s perfect world is shattered. Unable to trust his parents, he confides in his best friend, James, and together they concoct a plan...

As she did in her debut, The Unlikely Pilgrimage of Harold Fry, Rachel Joyce has imagined bewitching characters who find their ordinary lives unexpectedly thrown into chaos, who learn that there are times when children must become parents to their parents, and who discover that in confronting the hard truths about their pasts, they will forge unexpected relationships that have profound and surprising impacts. Brimming with love, forgiveness, and redemption, Perfect will cement Rachel Joyce’s reputation as one of fiction’s brightest talents.

[James] closed his eyes and his mouth began to move. Byron waited patiently, knowing that his friend was forming an idea. They had to think in a scientific way, James said slowly. They must be very logical and precise. "In order to save your mother," he said, "we must form a plan of action."
Byron could have hugged him, apart from the fact they were boys from Winston House. He knew everything would be all right now that his friend was involved.
"Why are you doing that funny face?" said James.
"I am smiling at you," said Byron.

1970's England. Fancy jaguars parked in the garages of upperclass suburban homes. Mothers in dainty white gloves wiping the sugar off their children's mouths. Fathers returning on the weekends with their briefcases in one hand, while expecting a shot of scotch from the bottle in the cabinet, in the other. This is the scene in which the primary portion of Perfect is set.

Upon witnessing a terrible lapse of time and in awareness, Byron Hemmings is caught in between the worlds of childhood and adulthood, as he is reluctantly forced to make a choice: reveal this secret about his precious, faultless mother, Diana, or keep quiet in his own mind forever. When his genius friend, James, excitedly concocts a plan to fix this intangible error, Operation Perfect is born; as the judgment of two adolescent boys goes, the procedure will either go according to plan, just as imagined in their hands... or it will end it utter disaster.

Byron's balmy, yet increasingly paranoiac summer days, are interspersed with Jim's portion of the story, set in a bitter present-day winter. Jim is a middle-aged obsessive-compulsive, who lives in a van, who works as a busboy, and whose condition worsens when reminiscing about his past and his haunting experience at Besley Hill, the sanitarium he was shoved into as a teenager.

The two seemingly unrelated narratives catch up to each other in a collision of time; they swerve together and explode into one another in a fateful, alarming twist that will leave readers breathless. For the majority of the novel, however, the prose is—however flowery and fanciful—languidly, almost sluggishly, set. I found Joyce's writing enjoyable, but very thick and puzzling, especially in the first half. Almost Ian McEwan-esque, her prose isn't particularly difficult to get through, but at times it was just thoroughly boring, which is why it took me a while to finish.

In characterization, in plot, and in tone, however, Perfect is a masterpiece. Each of the characters, even the ones that only make small appearances, are so vivid and intimately portrayed. Readers will cherish the characters they are meant to like, and loathe the ones they are meant to dislike. The eerily calm but inherently alarming mood sets up a domestically freakish story; while plain and placid in technique and style, the undertones of Perfect not only illuminate upon values of mistakes, redemption, and the human condition, but also bewilder, perplex. This is definitely a book that makes you think hard.

Pros


Substantial, exquisite writing // Contains one of the most elegantly executed, shocking plot twists ever // Deeply meaningful // The way Byron's mind runs in fascinating // All the characters are fabulously depicted; I fell in love with the protagonists and hated the antagonists deeply

Cons


Very confusing at first // Moves extremely slowly, even in the end // I liked the prose but it was a little sludgy

Love

Besides, the big things in life do not present themselves as such. They come in quiet, ordinary moments—a phone call, a letter—they come when we are not looking, without clues, without warning, and that is why they floor us. And it can take a lifetime, a life of many years, to accept the incongruity of things: that a small moment can sit side by side with a big one, and become part of the same.

Verdict


The injustices of adulthood and the restrictive bindings of upperclass society are brought to light in Rachel Joyce's newest British novel. Byron Hemmings's brilliantly fleshed, intimately portrayed character will make you think twice about the role of children, the responsibility of—or vindication from—accidents, and the faults of trust—the faults of humanity. One young boy's naïveté and misplaced guilt, as well as his mother's faultless crime, ignite this slow deterioration of an outwardly immaculate, perfect household. With grand allusions to the philosophy of time and the significance of deep thinking, Perfect questions the disastrous consequences of our every choice Americanflag

8 hearts: An engaging read that will be worth your while; highly recommended (x)

Giveaway!


Like what you see? Books à la Mode is giving away one PRINT copy to one lucky reader! Woohoo! To enter this giveaway, all you have to do is tell me:
Why do you want to read this book? What makes it seem unique?

Don't forget to include your email address in your comment so I know who to contact when I randomly select winner. Don't make me track you down!!!!
Easy peasy, just one entry. Please make your comment MEANINGFUL. Comments solely consisting of stock responses or irrelevant fluff like "Thanks for the giveaway!" will not be considered for entry. Rachel and I really want to hear from you guys! :)
Don't forget the entry eligibility terms and conditions!
Sponsored wholly by the publisher—a huge thank you to Random House!
Giveaway ends February 5th at 11.59 PM (your time).

Open to US residents only. Sorry, rest of the world! Please check my sidebar at the top for a list of giveaways that are running internationally :) There are plenty to choose from!
Void where prohibited.
As a reminder, you do not have to follow my blog to enter, though it is always very much appreciated ❤
Good luck!