Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Wednesday, May 7, 2014

5 Heart Review: Don't Call Me Baby by Gwendolyn Heasley

Don't Call Me Baby
Gwendolyn Heasley

Page Count: 304

Release Date: April 22nd 2014
Publisher: Harper Teen (Harper Collins)
Source: Complimentary copy provided by publicist in exchange for an honest and unbiased review (thank you, Little Bird Publicity!)
Rating: ♥♥♥♥♥♥♥♥♥♥

Perfect for fans of Jennifer E. Smith and Huntley Fitzpatrick, Don't Call Me Baby is a sharply observed and charming story about mothers and daughters, best friends and first crushes, and our online selves and the truth you can only see in real life.

All her life, Imogene has been known as the girl on that blog.

Imogene's mother has been writing an incredibly embarrassing—and incredibly popular—blog about her since before she was born. The thing is, Imogene is fifteen now, and her mother is still blogging about her. In gruesome detail. When a mandatory school project compels Imogene to start her own blog, Imogene is reluctant to expose even more of her life online... until she realizes that the project is the opportunity she's been waiting for to define herself for the first time.
"You're [speaking at the Mommies/Daughters panel at BlogHer], no ifs, ands, or buts. We've made a commitment, and we're keeping it. The Mommylicious name means something, and I intend for it to stay that way."
It's funny that my mom cares more about what strangers think of her than her own daughter. Good thing she can't read my mind; she'd flip if she knew about The Plan. What will strangers think after I follow through on that?

In an age of expanding technology and the inclination to go public with every single detail of our lives, it's no secret that bloggers and blog followers rule the internet (I mean, hello? Who's writing and reading this right now?). But have we ever stopped to think about how the internet is ruling us?

Don't Call Me Baby raises an issue in social media through the exasperated perspective of the daughter of a prolific mommy blogger. Labeled "Babylicious" since before she was even born, Imogene is fed up with 14 years of her life revolving around her mom's blog. When the opportunity to give her mother a taste of her own medicine arises, she takes it. Her best friend (also a big-time blogger's daughter) becomes her partner-in-crime, and both girls are determined to show their moms what it really feels like to be exposed to the public 24/7.

Imogene is in ninth grade, but not yet in high school, so I would avoid categorizing this book into the Young Adult genre. Its tone and content make it seem very much more Middle Grade, and I guess that's one of the first things that irked me. Imogene seems extremely immature, even though she claims to be all-knowing. She's just a difficult character to like overall: not humorous, not humble, not particularly strong, not clever. Since she narrates the story first-person, it was hard for me not to be annoyed by it. There are other elements that make this book seem more likely appropriate for a younger, simpler audience as well, including the linear, predictable storyline, the static schoolgirl crush that attempts to incorporate a flavor of bland "romance," and the exaggeratedly clichéd characters, e.g. the stubborn, loyal best friend, the kind dad, the adorable crush, the awesome teacher... it was like Gwendolyn Heasley took a "Character Clichés in Children's Fiction" checklist and ticked each one off one by one.

Everything is too cut-and-dried, rather than realistic, so I just couldn't get that into the story. I appreciate the contemporary significance and the scattered bits of internet humor—I have to say, how many novels have you read about blogging?—and Heasley's writing style is clear enough, but Don't Call Me Baby failed to really engage or impress me.

Pros


Easy to read // Tackles an underrated but prevalent issue today through the format of a children's novel // Sweet sentiments on family, friends, and identity // Might be popular among middle grade readers

Cons


Not really YA, more middle grade // Mommylicious is ridiculous and over the top // Unrealistic // Imogene is really childish and annoying // Formulaic secondary characters

Love

It's really, really easy to love something—or someone—once. It's much harder to learn to love something—or someone—the second time, but it's that second time that usually matters most ... Loving twice is harder, but love anytime is always worth it.

Verdict


Both a modern parody of the blogging life and a snapshot of one bitter daughter's attempt to get her mother's fickle attention, Don't Call Me Baby is a light middle grade novel that contains amplified teenage angst and some deeper views about relationships and realizing that the world does not revolve just around ourselves. While I did find Imogene to be egocentric and irritating, and the story to be rather unexciting, this is a swift, mindless read that deals with an aspect of the digital age that I do find important. Mostly, though, I cringed at some hyperclichés and the it-all-works-out-in-the-end! attitude; Gwendolyn Heasley's newest novel is too fluffy, too even, too square. It's not a bad read necessarily, but it just didn't awe me, didn't make me bleed Americanflag

5 hearts: Doesn't particularly light any of my fires; I feel indifferent about this book (x)

Wednesday, April 9, 2014

9 Heart Review: The Moon Sisters by Therese Walsh + Giveaway! (US)

The Moon Sisters
by Therese Walsh
Writer Unboxed | Fan Page | FacebookTwitter | Goodreads | PinterestFollow the Tour!

Page Count: 317

Release Date: March 4th 2014
Publisher: Crown (Random House)
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Random House and TLC!)
Rating: ♥♥♥♥♥♥♥♥♥

This mesmerizing coming-of-age novel, with its sheen of near-magical realism, is a moving tale of family and the power of stories.

After their mother’s probable suicide, sisters Olivia and Jazz take steps to move on with their lives. Jazz, logical and forward-thinking, decides to get a new job, but spirited, strong-willed Olivia—who can see sounds, taste words, and smell sights—is determined to travel to the remote setting of their mother’s unfinished novel to lay her spirit properly to rest.

Already resentful of Olivia’s foolish quest and her family’s insistence upon her involvement, Jazz is further aggravated when they run into trouble along the way and Olivia latches to a worldly train-hopper who warns he shouldn’t be trusted. As they near their destination, the tension builds between the two sisters, each hiding something from the other, until they are finally forced to face everything between them and decide what is really important.
"If you live your whole life hoping and dreaming the wrong things, what does that mean about your whole life?"

Beth Moon believed in one thing her entire adulthood—something that surpassed the importance of her husband, children, and self. Beth Moon was a writer, one who incorporated her dream into every word she penned, and one who penned words into every dream she dreamed. Upon recognizing the inevitable void in her entire crux of belief, she fell into a terrifying depression; and soon after, she took her own life.

But this is not the story of Beth Moon. Not really, anyways. This is the story of Beth Moon's untimely, ill-fated death: the uncovering of and reconciliation with her past, her ailments, her baggage. This is the story of her dreams and her writing: her unsent letters and unfinished novel. Ultimately, however, this is the story of her daughters, Jazz and Olivia Moon, and more importantly: of their inheritance.

Olivia's reality has always been bizarre, so when she decides to toss her mother's ashes into a suitcase and leave her isolated West Virginian hometown to go off to fulfill her mother's yearnings, Jazz isn't all that surprised.
[Olivia has] never been the poster child for sense.
Olivia's unfaltering quest propels the clashing sisters into what begins as a risky adventure—involving traveling, train-hoppers, and the unforgiving wilderness—and ends in devastating but simultaneously uplifting family revelations that makes The Moon Sisters one of the most evocative and perceptive adult coming-of-age novels I've ever read.

Narrated in alternating first-person voices of the two sisters, the novel elegantly embodies the suffocation and restlessness that arises from living in a small town, as well as the many faces and stages of grief. Readers follow both Jazz and Olivia's physical and emotional journeys as they lose their way, find their way, fall apart, and fall in love; with this progression, readers discover how each sister deals with her own denial, anger, bargaining, depression, and finally, triumphantly: acceptance.

One of the most significant questions Therese Walsh raises through both of the Moon daughters is on the worthwhileness of hoping and believing. The elusiveness of dreams—a once-comforting notion—increasingly causes both sisters distress as they reflect upon their respective childhoods and their mother's dismal reason for existence. Is it smart to hope and dream? Is it safe? Does it ever end in anything other than disappointment?

I was impressed by how realistic Jazz, the older sister, is—so flawed and easy to sympathize with. It was difficult for me to like her because she's so uptight, so logical, but I identify with her in so many other ways. Olivia, on the other hand, is a brightly burning character—both on the pages, and off. Her way of thought is difficult to penetrate—partly due to the synesthesia, partly due to the undeveloped sense of maturity—but it doesn't make her any less distinct; she's a colorful, imaginative character who's entirely offbeat, but that much more lovable. Therese Walsh is excellent with describing the flavor of words and the appearance of sounds and the way a person can smell like the sun. As in Amaryllis in Blueberry and A Mango-Shaped Space, the author vividly creates a different kind of reality from within Olivia; the effect is subtly hallucinogenic and staggeringly poetic.

While Hobbs, Olivia's secretive train-hopping companion, is a minor character, his relationship with Olivia smolders, ignites... intoxicates. I won't give too much away, but their slow-building rapport made me melt and shatter and want to cry. The Moon Sisters isn't explicitly a romance, but it contains overwhelming glimpses into the sheer capacity and capability of the human connection, that will desperately make you wish it was.

Illuminated by Walsh's mesmerizing, commanding voice, The Moon Sisters reads dreamlike—magical and dizzying and airy—but still possesses the emotional weight of coping and continuing—the care, keeping, and purging of ghosts, if you will. Readers will easily identify with the firmly planted emotions regarding tortured souls, family bonds, and the weakness and resilience that comes with being human.

Pros


Perfectly blends adventure, family drama, and personal reflection together // Exquisite style // Both sisters' points of view are equally refreshing and intriguing // Olivia and Hobbs... ugh ♥ // Story lulls in pace, but the tension makes it impossible to put down // Emotionally, powerfully reflective of the human heart and propensity to dream // Trippy, dreamlike perspectives are so well constructed

Cons


Slow start // Didn't like how Beth Moon's letters are actually displayed. They seem much too private and were disappointing solely because it seems impossible to write them the way I imagined them

Love

There was no snapping branches or movements between us then. Only a sense of seeing that went beyond what anyone might perceive with eyes.

He's uglier than sin, you know.

I doubted I would believe that even if I weren't living life on periphery and bound for a further edge, if I could see Hobbs's dragon-camouflage skin with all its details. Liking him felt more honest than anything I'd experienced before, too, maybe because of its quick-form, raw-wound beginning and lack of clarity, its sheer instinct, and the fact neither of us had turned yet to run in the other direction.

"You don't scare me, Hobbs."

"Said the girl who stared at the sun."

Verdict


An intricate, intimate portrait of one young woman's quest to carry out her deceased mother's unfulfilled dream—as well as her older sister's determination to put an end to it—The Moon Sisters is a gorgeously crafted and expressive examination of the importance of sticking together as a family, maintaining fair perspective, and the harmful but necessary means of self-preservation. Offering endless discussion on topics such as the true difference between blindness and sight, the role and impact of mothers, and the dangers of the foolish fire that is hope, this would make a terrific book-club read. Therese Walsh skillfully weaves a complicated story with even more complicated roots in this glorious second novel; I love and recommend it wholeheartedly Americanflag

9 hearts: Loved it! This book has a spot on my favorites shelf (x)

Giveaway!


Books à la Mode is giving away one finished print copy of The Moon Sisters—yay!! To enter, all you have to do is tell me:
What's something you're determined to do or experience before you die?

Don't forget to include your email address or Twitter username in your comment so I know who to contact when I choose a winner. Don't make me track you down!!!! No email = No entry!
My serious answer: I know this is way way way too early for me to be thinking about, but I don't want to die before starting my own family. The loving husband, the two-point-five children, the rowdy dog, the white picket fence—all that average stuff ;)
My less serious answer: Write (and publish!) a novel.

What about you?

Please make your comment MEANINGFUL. Comments solely consisting of stock responses or irrelevant fluff like "Thanks for the giveaway!" will not be considered for entry. Therese and I really want to hear from you guys! :)

Don't forget the entry eligibility terms and conditions!
Sponsored wholly by the tour publicist and publisher—a huge thank you to TLC and Random House!
Giveaway ends April 22nd at 11.59 PM (your time).
Open to US residents only—sorry, international readers! Check out my sidebar for a list of currently running giveaways that are open worldwide—there are plenty to choose from!
Void where prohibited.
Winners have 48 hours to claim their prize once they are chosen, or else their winnings will be forfeited.
Although I do randomly select winners, I am in no way responsible for prizes, nor for shipping and handling.
As a reminder, you do not have to follow my blog to enter, though it is always very much appreciated ❤
Good luck!

Wednesday, January 8, 2014

9 Heart Review: What I Had Before I Had You by Sarah Cornwell

What I Had Before I Had You
Sarah Cornwell
Facebook | Goodreads | Follow the Tour!

Page Count: 288

Release Date: January 7th 2014
Publisher: Harper (Harper Collins)
Source: Complimentary copy provided by publisher via tour publicist in exchange for an honest and unbiased review (thank you, Harper Collins and TLC!)
Rating: ♥♥♥♥♥♥♥♥♥

Written in radiant prose and with stunning psychological acuity, award-winning author Sarah Cornwell’s What I Had Before I Had You is a deeply poignant story that captures the joys and sorrows of growing up and learning to let go.

Olivia Reed was fifteen when she left her hometown of Ocean Vista on the Jersey Shore. Two decades later, divorced and unstrung, she returns with her teenage daughter, Carrie, and nine-year-old son, Daniel, recently diagnosed with bipolar disorder. Distracted by thoughts of the past, Olivia fails to notice when Daniel disappears from her side. Her frantic search for him sparks memories of the summer of 1987, when she exploded out of the cocoon of her mother’s fierce, smothering love and into a sudden, full-throttle adolescence, complete with dangerous new friends, first love, and a rebellion so intense that it utterly recharted the course of her life.

Olivia’s mother, Myla, was a practicing psychic whose powers waxed and waned along with her mercurial moods. Myla raised Olivia to be a guarded child, and also to believe in the ever-present infant ghosts of her twin sisters, whom Myla took care of as if they were alive—diapers, baby food, an empty nursery kept like a shrine. At fifteen, Olivia saw her sisters for the first time, not as ghostly infants but as teenagers on the beach. But when Myla denied her vision, Olivia set out to learn the truth—a journey that led to shattering discoveries about herself and her family.

Sarah Cornwell seamlessly weaves together the past and the present in this riveting debut novel, as she examines the relationships between mothers and daughters, and the powerful forces of loss, family history, and magical thinking.
What if all the transcendent moments of your life, the sound-track moments, the radiant detail, the gleaming thing at the center of life that loves you, that loves beauty—God or whatever you call it—what if all this were part of your illness? Would you seek treatment? I have, and sometimes I wonder if the greatest passions are just out of my reach. And sometimes I am so grateful.

As Olivia Reed's family begins to fall helplessly apart in the wake of a dry affair and along with her recently diagnosed son's growing instability, she whisks her children away from their once-comforting ranch in Texas, doing the one thing she does best: run. She knows she's out of her mind going back to the place she left behind long ago, the place where she is certain her ghosts still reside, but in an act of desperation, she has no choice; she's hometown-bound, and the moment she steps onto the long-missed boardwalk and breathes in the salty ocean air, she knows she has made a mistake.

Losing her son, combined with the familiarity of Ocean Vista, conjures various memories—of her first love, of her best friends, and most painfully, of the one person she never fully forgave: her mother. What I Had Before I Had You exposes Olivia's life in its slow, harrowing full, alternating between her unfairly influenced, unsupervised childhood and the unsettling, untold present-day. It sweeps readers through the lonely adolescence, teenage rebellion, and liberal prominence of the 1970's and 80's, all the while describing the frenzied, unnerving search for Daniel in the present, before escalating to the fateful summer when everything changed—when Olivia first indulged in her art of abandonment.

Reading this book was an experience itself. The brief glances into Olivia's shaky childhood—the result of a mentally ill but in-denial mother and the burden of independence that came much too early—as well as the current frustrations over muting her disorder while simultaneously muting herself, are penetrating, completely eye-opening. Cornwell masterfully balances the struggles of hereditary bipolar disorder—not only a diagnosis, in Olivia's bloodline, but also an inheritance—and the struggles of being a mother—of being human—in this glittering narrative.

Olivia's past is told with a vintage filter, a dusky, dreamy undertone; deeply periodic and exquisitely lush, it involves Myla's divine convictions, sleepless nights spent alone, and the unaware suffering she felt as a child—both unmedicated and uninformed. This is the childhood that adult Olivia has tried so hard to forget, the childhood that her family now knows nothing about, and as it unravels with ruthless precision and targeted blows, it culminates into the story of what happened when she was fifteen—the summer of extreme emotions and ultimate betrayal.

I was even further impressed by how complex the storytelling is; it isn't simply a factual retelling, it isn't just a secret revealed. Olivia's past is narrated with the haze of an unreliable brain, a time-worn rememberer; readers are only given the version of events that have become Olivia's own, tempered by her imagination and improved by the million small revisions of memory. We will never know whether the emotions presented, as intense as they are, have been dulled by time, weathered by maturity, and this is the entire essence of the novel—this is Olivia's pain, which, through Cornwell's rare gift for detailing and piercing hearts, readers feel, themselves.

Pros


Emotionally searing // Evocative; beachy, warm setting // Nostalgic; memories of childhood revealed with a tragic veil of time // Writing is powerful and poetic // Biting, wounding, affecting // Insightful; psychologically and stunningly precise // Phenomenal incorporation of the past into the present // Historically and culturally rich, vivid

Cons


Slow start // Disorienting at times

Love

Pam never came after me. I don't blame her. I didn't look for her, either. I hear that she's a math teacher in West Orange. There are those people in your life who matter instantly, on another plane, and you have to marry them or kill them or run the hell away, you can't do it halfway. I hope her house is full of paintings. I hope somebody loves her.
We walk down the boardwalk, close to the storefronts, scanning the crowds for Daniel, his lime-green swim trunks, his gray T-shirt, his thick brown curls. Of course I would lose him here; this is where I lose people. My past is leaching into my present, and even in the midst of this panic, I feel a sensation of walking a few steps behind myself. 

Verdict


Heartbreaking, silver-lined, and deeply meaningful, What I Had Before I Had You meditates on one mother's frantic search for her son, as well as on the even more hazardous search for herself. Sarah Cornwell elegantly constructs the thin membrane that separates childhood from parenthood in this luminous debut; as if slipping in and out of consciousness, the storylines alternate—unwinding slowly, lazily at first, and then gaining torque, and consequently, destructive power—a depiction of the debilitating effects of a mental illness such as bipolar disorder. This novel blends together the tenderly told story of a failed first love, the bittersweet flavor of resurrecting family ghosts and family history, and the delicate, learned craft of holding on and letting go—indeed, an intoxicating melange Americanflag

9 hearts: Loved it! This book has a spot on my favorites shelf (x)

Sunday, July 14, 2013

7 Heart Review: Beach Lane by Sherryl Woods

Beach Lane (Chesapeake Shores #7)
Sherryl Woods

Page Count: 360

Release Date: 31 May 2011
Publisher: MIRA (Harlequin)
Source: Complimentary ARC provided by Romance Novel News in exchange for an honest and unbiased review (thank you, Carolyn!)
Rating: ♥♥♥♥♥♥♥♥♥♥

New York Times bestselling author Sherryl Woods returns to Chesapeake Shores with a heartfelt story about the healing power of love.

In the close-knit community of Chesapeake Shores, Maryland, Susie O'Brien and Mack Franklin's "not dating" claim befuddles everyone, especially since the two spend every spare minute together. Susie's thrilled when their friendship finally heats up. Then, just when happily-ever-after seems within reach, Mack loses the job he loves and Susie faces a devastating diagnosis.

But O'Briens always unite in a crisis. Even her cousin Jess, Susie's rival for most of their lives, becomes her staunchest supporter——especially when Mack's former lover comes to town. The stakes are higher than ever before, but Susie's definitely up to the challenge... …as long as Mack's right there by her side.
Mack and Susie share a solid, ever-loyal love that everyone—except for Mack and Susie themselves—seems to recognize. The onset and eventual defeat of an illness tests this exquisite bond, which exposes its rawest of vulnerabilities, yet at the same time, illuminates upon its unshakable strength. The entire town of Chesapeake Shores will stand by both their sides during the difficult period; many will question—while others will emphasize—the importance of faith and God's will. But when it comes down to things, what matters is that Mack and Susie fit perfectly—always have, always will. And that alone, they know, will get them through it all.

Beach Lane is highly emotional rather than romantic. There's lots of future-planning and emphasis on family matters... reading this book was like watching a short Hallmark movie. It's a quick, enjoyable read with lots of depth within the characters and honest, well-portrayed emotions. Overall, it's chaste and sweet—hardly a romance, and more a family novel.

There's a cast of marvelous, strong secondary characters, which indicates they were or will be fantastic foundations for their own stories in past and upcoming books in the series. Although Beach Lane is the seventh Woods novel to take place in Chesapeake Shores, it serves fine as a standalone novel; I hadn't read any of the previous installments, and still had no problem keeping up. You can tell with how involved all the characters are with each other, that they each have their own backstories and own lives and loves, which is what makes the intricacy of such interpersonal relationships—and in just one small town, at that!—all the more magical.

This was really an undemanding read, perfect for a brief contemporary escape with an east coast beach setting (guaranteeing a gorgeous view and the lingering scent of salt in the air). The story moved me, but in the end, was pretty unmemorable. There's nothing I adored and nothing I hated; it was just an effortless story I breezed over. I did, however, find it it extremely weird how the entire extended O'Brien family meddles in Susie's dating life, as well as in the lives of others. I know this book is strong on family values, but how realistic is it that an entire town—no matter how small—would stick it nose into such personal matters? Sherryl Woods overdid that aspect a little.

Pros


Effortless style—such smooth storytelling! // Deep, grounded, and balanced main characters // Fabulous and likable secondary characters // Clean, chaste romance // One of those books that makes you feel warm and well-loved

Cons


Painfully predictable // No chemistry in the romance since the Susie and Mack have feelings for each other from the beginning // Super-intimate family dynamic that I found weird // A bit too corny for my liking

Love

It seemed [he] had the ability to rob her of common sense, reason, logic—all of those things on which she prided herself. And that made him not only the most inappropriate man she'd ever dated, but the most dangerous.

Verdict


While buoyant in tone, Beach Lane tackles a serious terminal illness that gives it a melancholy feel to it throughout; however, once Susie overcomes her fears and learns to just live her life, there is nothing but triumph. Full of hope and light, Sherryl Woods's seventh book in the Chesapeake Shores series is about believing in yourself and believing in love even in the hardest of times—perfect for all you happily-ever-after fans Americanflag

7 hearts: Not perfect, but overall enjoyable (x)

Sunday, September 23, 2012

♥♥♥♥♥♥♥♥: Leaves by Michael Baron

Leaves (Gold Family #1)
Michael Baron

Release Date: September 25th, 2012
Publisher: The Story Plant 
Page Count: 366
Source: Complimentary copy provided by publisher in exchange for an honest and unbiased review

Welcome to Oldham, CT, a small town rich in Colonial heritage while being utterly contemporary. Situated along the Connecticut River Valley, Oldham bursts with color every fall, as the leaves on its trees evolve into an unmatched palette of scarlet, orange, purple, yellow, and bronze. For more than three decades, the Gold family has been a central part of Oldham in the fall, its Sugar Maple Inn a destination for “leaf-peepers” from all over the country, and its annual Halloween party a stirring way to punctuate the town’s most active month.

But this year, more than just the leaves are changing. With the death of their parents, the Gold siblings, Maria, Maxwell, Deborah, Corrina, and Tyler, have decided to sell the Sugar Maple Inn, and this year’s Halloween party will be the last. As October begins, the Golds contend with the finality that faces them, and the implications it has for a family that has always been so close. For some, it means embracing new challenges and new love. For others, it means taking on unimagined roles. And for others, it means considering the inconceivable. Complicating it all is a series of “hauntings” that touch each of the Gold siblings, a series of benign interventions that will remain a mystery until October draws to a close.

Filled with romance, tension, and unforgettable family drama, Leaves is the first in a series of novels about a world and a family that readers will want to make their own.
What Stephanie Thinks: The five Gold siblings' lives—their loves and losses and new beginnings—in their parents' wake come alive in Baron's newest novel. We unravel their deepest of fears and strongest of desires as we follow their daily proceedings leading up to the annual Halloween party the Golds have been known to throw in Oldham; the first one they've had to host since their parents have died. 

Baron's style is lyrical, smooth, and casual. I don't think it's particularly beautiful or mesmerizing, but it's definitely not bad. I feel some of his dialogue is rather stilted, but eh... at least it makes sense. Same thing goes for the overall plot too: I like the idea of the trials and tribulations of the stressful party-planning sans mom and dad—especially the way it's so organized and straightforward—but in the end, it's nothing riveting. 

Although Mama and Papa Gold may be gone, their presence remains powerful in the spirits and minds of each brother and sister. It was interesting to be able to shadow each individual sibling dealing with the same hell but different devils, but I found it a little dissatisfying that none of them were necessarily connected. Rather, there are just five separate story lines that only have supporting characters in common.

We've got Tyler who, as a character, I didn't care much for, but whose story I loved. It's the quintessential narrative of naïve lovers and first heartbreaks. He as a character is dislikable (i.e. short-tempered and curt), but I think that's mostly because he is so superficial. I felt this way about the others too; I wish Baron would have gone into more depth with all of them. Then there's Deborah, who's reasonable and realistic—the inspired and bequeathed chef of the family. Her story of new love and new hope is exciting and heart-melting; I loved it through and through. Corrina is another relatable character, the under-appreciated wife and stepmom with true-to-life frustrations. She's probably my favorite character; Baron does an excellent job at bringing her flaws, and her beauty, to life. Maria is a recent empty-nester who's got nothing but good in her heart. I liked her as a character, but couldn't find myself connecting with her as much because her appearance was, again, so superficial and short-lived. Last, there's Maxwell, the politician of the house, who's supposed to be portrayed as a strong leader of a character. I, however, couldn't find much to like about him, though I did find myself aching for him anyway. His personality is presented poorly (not that he's a bad person, but that there's not much said about him), but his situation is mournful, and it's one I wanted to reach out myself to help mend.

The most compelling aspect of Leaves is that we, as readers, do not know which story will end happily and which will end in tragedy. The best we can do is hold on, even when the ride gets bumpy, and hope to be able to find out. While I can't say Leaves is anything spectacular because it seems just like a shallow collection of stories about each Gold sibling, it's a pretty easy read that flows well and is full of the sentiments in life that matter most: being resilient, finding and maintaining love, and always keeping hope.

Stephanie Loves: "[Tyler] lay back in bed, thinking, this isn't a convenient time for me to lose my mind."

Radical Rating: 8 hearts: An engaging read; highly recommended. ♥♥♥♥♥♥♥♥

Tuesday, July 3, 2012

Ten Beach Road Revisited and Giveaway!


Ten Beach Road
Wendy Wax

Release Date: May 3rd, 2011 (April 2012 mass market paperback release!)
Publisher: Berkley (Penguin)
Page Count: 432
Source: Deb Tobias at Joan Schulhafer Publishing & Media Consulting in exchange for an honest and unbiased review (thank you!)

On the brink of ruin, three very different women discover themselves where they least expect... at Ten Beach Road.

Madeline, Avery, and Nikki are strangers to one another, but they have one thing in common. They each wake up one morning to discover their life savings have vanished, along with their trusted financial manager... leaving them with nothing but co-ownership of a ramshackle beachfront house.

Madeline Singer is a homemaker coping with empty-nest syndrome and an unemployed husband. Avery Lawford is an architect—or was, until she somehow became the sidekick on her ex-husband's TV show. And professional matchmaker Nikki Grant is trying to recover from her biggest mistake...

No one is going to save them but themselves. Determined to fight back, they throw their lots together and take on the challenge of restoring the historic beach house to its former glory. But just as they begin to reinvent themselves and discover the power of friendship, their secrets threaten to tear down their trust, and destroy their lives a second time.
Last year, I had the opportunity to review Ten Beach Road at Romancing the Book (you can find my first-read thoughts here!), so I was thrilled when its publicist contacted me about the new mass market paperback release and word of a sequel, Ocean Beach, which came out last week, and whose review was posted at Books à la Mode yesterday (you can check that out here).

I was surprised that even after a year, Ten Beach Road's characters flowed back to me as smoothly and wonderfully as they did the first time around. I guess that's the magic of such lovable characters—no matter how, when, or where you read them, they'll always feel like family. Coming back to this book was both nostalgic and illuminating. Picking up its pages once again made me feel like I was home, as strange and delightful of an experience that is, and I noticed small sentiments I hadn't before.

Wendy Wax's writing is vivid and brimming with sensory images. I absolutely love her style and found it to be one of the best aspects of this book. That, and her true-to-life characters.

Maybe I just noticed this because I also read Ocean Beach, but Ten Beach Road is heavy on the emotional pain and physical labor of Bella Flora's reconstruction—the grueling efforts and teeth-gritting vexations are what fuel the plot and heal the hearts of each of the involved characters. Ocean Beach, on the other hand, focuses mainly on the emotional dilemmas and situational complications. Both techniques appeal to me in different ways, which made my reading of the two books dynamic and varietal, rather than boring. The two books are similar in mood, but individual in flesh, and that's what I love about the saga as a whole. 


Check out these links!


My original review of Ten Beach Road.
Ocean Beach review and giveaway.

Giveaway!


Because I love these books so much, I've opportunities for you to try BOTH books with fantastic giveaways!!!  Thanks to the publicist, Joan Schulhafer Publishing & Media Consulting, today, there is ONE print copy of Ten Beach Road up for grabs! Be sure to enter my giveaway which was posted yesterday for Ocean Beach, its dazzling sequel, as well. To enter this giveaway, all you have to do is fill out the Rafflecopter form below:
Giveaway runs through July 18th, 2012 at 11.59 pm (EST).
Open to US and CAN readers only!
Winners have 48 hours to claim their prize once they are chosen, or else their winnings will be forfeited.
As a reminder, you do not have to follow my blog to enter, though it is always very much appreciated ❤
Good luck!

Monday, July 2, 2012

♥♥♥♥♥♥♥♥: Ocean Beach by Wendy Wax and Giveaway!

http://bookfanmary.files.wordpress.com/2012/05/ocean-beach.jpg
Release Date: June 26th, 2012
Publisher: Berkley (Penguin)
Page Count: 433
Source: Complimentary ARC provided by publicist, Joan Schulhafer Publishing & Media Consulting, in exchange for an honest and unbiased review (thank you!)

Unlikely friends Madelin, Avery, and Nicole have hit some speed bumps in their lives, but when they arrive in Miami's South Beach neighborhood, they are all hoping for a do-over. Literally. They've been hired to bring a once-grand historic house back to its former glory on a new television show called Do-Over. If they can just get this show off the ground, Nikki could get back on her feet financially, Avery could restart her ruined career, and Maddie would have one shot at keeping her family together.

At least, that's the plan—until the women realize that having their work broadcast is one thing, having their personal lives play out on TV is another thing entirely. Soon they are struggling to hold themselves, and their project, together. With a decades-old mysteryÒand the hurricane season—looming, the women are forced to figure out just how they'll weather life's storms...
What Stephanie Thinks: Wendy Wax is back and better than ever with her sequel to Ten Beach Road, which I reviewed last year. Though Madeline, Avery, and Nicole have reunited to tackle this time, The Millicent, a majestic mansion brimming with love, history, and overlooking Florida's most modern and exquisite of beaches that is in desperate need of tender loving care, Ocean Beach isn't just another home-improvement story; it isn't just the same people in a different setting, time, and situation. Ocean Beach is, in sorts, a reprise of Wax's glowing characters we met and fell in love with in the first book, but moreso a whole new journey that, in itself, has a similarly satisfying and just-as-heartfelt destination.

My heart soared high at the return of each of the characters that I loved like my own siblings, mother, and children, even the minor ones, such as Maddie's still-vulnerable, yet strong kids, Andrew and Kyra, Avery's ever-understanding and swoon-worthy boyfriend, Chase, and Nicole's very protective and very spicy love interest, Special Agent Joe Giraldi (woooo) and even higher at the introduction of new ones, such as the delightful Max, The Millicent's owner, and Kyra's precious son and Maddie's first grandson, Dustin. While Ocean Beach itself is a fine piece of work and would make a fabulous stand-alone novel, I think readers and fans of the first story will be able to appreciate it and once again fall hard even more, this time around.

Wendy Wax's voice is prolific—descriptive, tender, wry, and warm in all the right places. Her words sparkle off the pages; her writing is therapy for the soul. There isn't one stray sentence in Ocean Beach (and in Ten Beach Road!); her conventions and structure are pleasantly well-written and easy to read.

Another thing I like about this book is how there is an element of mystery and suspense, which wasn't prevalent in the first book. A vague, secretive mystery involving the disappearance of Max's son more than forty years ago shrouds the entire storyline, as well as unsettling and unconventional discomforts regarding Nicole's first client in her matchmaking business that she's determined to have on its feet once again, and also the notorious and Daniel Deranian: Dustin's insufferable celebrity father.

A huge predicament is Do-Over's television network's shameless lack of privacy and threat to cancel at anytime. This concern looms over everyone in the Millicent, and is an interesting, realistic, and completely frustrating aspect of the story. There are other numerous complex storylines weaved together in Ocean Beach; a few I admired and gobbled up (like my favorite type of pie) include the budding relationship between the stubborn Avery and her once-estranged and now-repentant birth mother, Deirdre, the difficult, complicated affair between Kyra and Daniel, and the 'golden' past of Max Golden.

I absolutely recommend this one to all lovers of feel-good beach reads that aren't shallow and fluffy, not because it has a beachy theme, but because it actually has substance and genuine emotions, as well as to fans of women's fiction with strong familial anecdotes. Both in content, style, and resonance, Wax brings her lovable characters to life and pens a well-organized and meaningful story in Ocean Beach.

Stephanie Loves: "[Kyra's] brain knew and remembered all the reasons she'd had to give [Daniel] up. Her heart seemed to have developed a worrisome case of amnesia."

Radical Rating: 8 hearts: An engaging read; highly recommended. ♥♥♥♥♥♥♥♥

Giveaway!
Thanks to the publicist, Joan Schulhafer Publishing & Media Consulting, there is ONE print copy of Ocean Beach up for grabs! Stay tuned tomorrow for a giveaway for a copy of Ten Beach Road as well as my revisited review ;) To enter this giveaway, all you have to do is fill out the Rafflecopter form below:
Giveaway runs through July 17th, 2012 at 11.59 pm (EST).
Open to US and CAN readers only!
Winners have 48 hours to claim their prize once they are chosen, or else their winnings will be forfeited.
As a reminder, you do not have to follow my blog to enter, though it is always very much appreciated ❤
Good luck!

Thursday, September 1, 2011

♥♥♥♥♥♥♥: In Leah's Wake by Terri Giuliano Long

Release Date: October 1st, 2010
Publisher: CreateSpace
Page Count: 345
Source: Complimentary copy provided by author, via Novel Publicityin exchange for an honest and unbiased review (thank you both!!)

Protecting their children comes naturally for Zoe and Will Tyler—until their daughter, Leah, decides to actively destroy her own future.

Leah grew up in a privileged upper-middle class world. Her parents spared no exprese for her happiness; she had all but secured an Ivy League scholarship and a future as a star athlete. Then she met Todd.

Leah's parents watch helplessly as their daughter falls into a world of drugs, sex, and wild parties. While Will attempts to control his daughter's every move to prevent her from falling deeper into this dangerous new life, Zoe prefers to give Leah slack in the hope that she may learn from her mistakes. Their divided approach drives their daughter out of their home and a wedge into their marriage.

Twelve-year-old Justine observes Leah's rebellion from the shadows of their fragmented family. She desperately seeks her big sister's approval and will do whatever it takes to obtain it. Meanwhile she is left to question whether her parents lover her and whether God even knows she exists.

What happens when love just isn't enough? Who will pay the consequences of Leah's vagrant lifestyle? Can this broken family survive the destruction left in Leah's wake?
What Stephanie Thinks: A family's struggle to keep themselves together and their irresponsible college-bound daughter in control is beautifully told in this debut novel. Long's writing style is absorbing and fast-paced, though the story itself drags on a bit. I would skim a few pages here and there, and constantly would find myself calculating how many pages I had left to read. This certainly will suck the joy out of a leisurely read. However, the overall plot is both lively and poignant, making it a touching story of the strength of sisterhood and turmoils of parenthood.

Each of the characters are really
fleshed out, which I love. For the most part though, they are not likable. Leah, for instance, is a girl who has it all. She's a deep and relatable character, but she's incredibly whiny, ungrateful, and melodramatic. Long creates the perfect caricature of misbehaving teenagers within her, but I don't think most teenagers behave as exaggeratedly as she does. Both the parents have good intentions, and I can tell the author created them from her personal experience. It's clear this book was written by a loving mother. Will and Zoe aren't flawless, which we learn as the plot progresses. I find Will selfish and Zoe weak, but again, that's strong characterization. I really do love Justine, though. She's so genuine, that I want her to be MY little sister!

The way children are described makes it evident that the author is an experienced mother. The topics of drugs, sex, and wild parties, however, seem to be shocking to her. They say you should write about what you know, and Long details the
obscure nit and grit rather awkwardly, but still maintains a realistic tone in her multidimensional family. Then again, it's not like only drugdealers can write edgy fiction, so I do give her props for the variety.

This almost frightening account of adolescence is stirring and thought-provoking. It piques the question of whether or not parental perfection is truly achievable, and also induces those What if? worries all mothers and fathers wonder in their lifetimes. Leah's slow, deliberate deterioration truly hits home and lingers in the mind, even once it is all over.

Stephanie Loves: "Through everything that had happened with her family this fall, through all their trials and travails, her mother's retreat into the fuzzy world of her pain pills, her family's dizzying fights, even while Leah was away, though she'd missed her sister terribly, Justine had stayed strong. Now, the tears fell, releasing all that pent-up emotion. And there was no holding back."

Radical Rating: 7 hearts: Not without flaws, but overall enjoyable. ♥♥♥♥♥♥♥